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<i>She is a friend of my mind.</i>

4
00:00:25,838 --> 00:00:27,397
<i>It brings me together.</i>

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<i>The parts that I am...</i>

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<i>...she brings them together...</i>

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<i>...and he gives them back to me
in the correct order.</i>

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<i>It's good...</i>

9
00:00:41,387 --> 00:00:42,582
<i>...when you have a woman</i>

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<i>which is a friend of your mind.</i>

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<i>My grandfather always boasted</i>

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<i>who had read the Bible</i>

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<i>five times from start to finish.</i>

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HOLY BIBLE

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<i>I thought:
"Why do you always read that book?"</i>

16
00:02:14,380 --> 00:02:16,576
<i>Then I realized
that there were no other books.</i>

17
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<i>And it was illegal in his life...</i>

18
00:02:22,422 --> 00:02:26,325
...read, and it was illegal
that white people taught them

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00:02:26,559 --> 00:02:27,720
black children to read,

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<i>so it was something revolutionary.</i>

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and that feeling
that it was controversial...

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<i>...penetrated our house
although I didn't understand why

23
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<i>so early.</i>

24
00:02:44,544 --> 00:02:45,842
<i>Then I understood.</i>

25
00:02:52,351 --> 00:02:55,287
<i>My sister taught me to read
when I was three years old.</i>

26
00:02:57,323 --> 00:03:00,487
<i>And we used to kneel
on the sidewalk...</i>

27
00:03:00,693 --> 00:03:01,854
...with a stone...

28
00:03:02,628 --> 00:03:03,596
...and we wrote...

29
00:03:04,397 --> 00:03:08,493
...cat, dog, I hate you...

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...or "and I hate"
because we didn't know the "T."

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<i>One day, we saw
another word on the street,</i>

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00:03:17,543 --> 00:03:21,639
half a block,
and we decided to write it.

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00:03:22,548 --> 00:03:26,485
we meet
and we expand our vocabulary.

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00:03:26,719 --> 00:03:28,278
We write: "M"...

35
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...and we look there.

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00:03:31,791 --> 00:03:32,952
"I"..

37
00:03:33,893 --> 00:03:36,920
...and we were getting ready
to write the E

38
00:03:37,430 --> 00:03:39,422
when my mother ran away
of the house...

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00:03:40,733 --> 00:03:42,031
<i>...and began to scream.</i>

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<i>«What's wrong with them?».</i>

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I was furious.

42
00:03:46,906 --> 00:03:48,374
"You, look for a bucket of water."

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00:03:48,541 --> 00:03:49,668
"You, bring a broom."

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00:03:49,842 --> 00:03:51,640
and we were crying
because we didn't know

45
00:03:51,744 --> 00:03:54,714
what had happened we had to
get rid of the words...

46
00:03:55,047 --> 00:03:58,916
...and he didn't say the word,
It didn't say what it was...

47
00:03:59,418 --> 00:04:01,683
...never did.
In all my life...

48
00:04:01,888 --> 00:04:03,288
I don't know how old I was

49
00:04:03,389 --> 00:04:04,880
when I found out what it meant.

50
00:04:06,526 --> 00:04:08,859
<i>And he never told us what it was.</i>

51
00:04:10,363 --> 00:04:12,423
But I finally knew...

52
00:04:13,866 --> 00:04:15,300
...that words have power.

53
00:04:15,401 --> 00:04:17,597
The words
They can do that to my mother,

54
00:04:17,870 --> 00:04:19,702
a word I don't even know.

55
00:04:20,907 --> 00:04:22,068
That's strength.

56
00:04:32,585 --> 00:04:35,419
<i>I get up before dawn.</i>

57
00:04:39,826 --> 00:04:41,624
<i>I always get up early.</i>

58
00:04:43,863 --> 00:04:45,354
<i>I want to beat the sun,</i>

59
00:04:45,932 --> 00:04:48,561
<i>so I must be up
before it comes out.</i>

60
00:04:49,068 --> 00:04:50,434
<i>It's the best time.</i>

61
00:04:52,605 --> 00:04:55,734
<i>It's incredible that part of the day.</i>

62
00:04:59,078 --> 00:05:01,638
I am very smart
early in the morning.

63
00:05:02,748 --> 00:05:03,977
Then...

64
00:05:05,718 --> 00:05:09,814
What? But early,
I'm very good. Very sensitive.

65
00:05:11,457 --> 00:05:14,655
<i>Every morning,
I work three or four hours.</i>

66
00:05:21,434 --> 00:05:24,529
<i>I got up early to write
because he had small children.</i>

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00:05:25,471 --> 00:05:27,633
<i>If I got up at five
before they woke up,</i>

68
00:05:27,840 --> 00:05:28,967
<i>I could work a little.</i>

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00:05:30,643 --> 00:05:32,635
Then the children
they grew up and left,

70
00:05:32,745 --> 00:05:34,407
and I still got up at that time,

71
00:05:34,614 --> 00:05:38,051
but I was reluctant
unable and unwilling

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00:05:38,551 --> 00:05:40,713
writing after lunch...

73
00:05:41,654 --> 00:05:42,849
...or at night.

74
00:05:43,122 --> 00:05:45,387
The only time that
I really wanted to do it

75
00:05:45,625 --> 00:05:47,594
and it was good, I believed,

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00:05:47,927 --> 00:05:50,123
It was very early in the morning.

77
00:05:51,130 --> 00:05:52,098
<i>It's still like that.</i>

78
00:05:55,468 --> 00:05:56,959
<i>Sometimes, you are animated,</i>

79
00:05:57,670 --> 00:06:00,105
<i>and other times,
You're just looking for something.</i>

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00:06:01,007 --> 00:06:03,567
So that the writing
I find it interesting,

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00:06:04,076 --> 00:06:08,138
not only do you have to write,
but it is: "I don't know what this means,

82
00:06:08,681 --> 00:06:11,708
but i have to find out
and explore

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00:06:11,918 --> 00:06:14,649
everyone's attitudes
the characters,” and stuff like that.

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00:06:14,987 --> 00:06:17,547
I must know.
I really must know.

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00:06:17,823 --> 00:06:20,884
And the only way to know,
and possess what I know

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00:06:21,427 --> 00:06:22,190
is writing it...

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00:06:22,929 --> 00:06:25,194
...and then let you read it.

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So we both know.

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00:06:29,468 --> 00:06:32,165
When you read the first reviews
of Toni's work,

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00:06:32,471 --> 00:06:34,997
those first reviews
liberal and compassionate,

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00:06:35,174 --> 00:06:37,006
<i>I remember one of them about</i> Sula...

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00:06:37,109 --> 00:06:38,509
A NOVEL
BY TONI MORRISON 1973

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00:06:38,611 --> 00:06:40,842
<i>...and the critic says:
«He has a lot of talent.</i>

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00:06:41,047 --> 00:06:43,175
Someday, it won't limit you
to write about black people.

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00:06:43,482 --> 00:06:44,609
UNIVERSITY PROFESSOR
FROM COLUMBIA

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00:06:44,717 --> 00:06:46,583
Is it limiting for her?
write about blacks?

97
00:06:46,686 --> 00:06:48,154
Nobody says that when

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00:06:48,521 --> 00:06:50,114
an irish writer
writes about Irish.

99
00:06:50,456 --> 00:06:52,755
It's just limiting
when you write about black people.

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00:06:55,061 --> 00:06:57,155
NEW YORK, SUNDAY,
DECEMBER 30, 1973

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00:06:57,863 --> 00:06:59,229
<i>"Despite his wealth</i>

102
00:06:59,532 --> 00:07:01,899
<i>and its absolute originality,</i>

103
00:07:02,802 --> 00:07:06,466
<i>one continually feels
its limitation...</i>

104
00:07:08,641 --> 00:07:10,940
<i>...his refusal
to overflow into the world

105
00:07:11,043 --> 00:07:13,911
<i>outside its provincial framework.</i>

106
00:07:19,085 --> 00:07:21,577
<i>Toni Morrison is too talented</i>

107
00:07:21,754 --> 00:07:23,586
<i>as to be
a wonderful registrar

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00:07:23,756 --> 00:07:27,022
<i>from the black side of life
provincial American.</i>

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<i>If I were to keep the audience</i>

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<i>great and serious that it deserves,</i>

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<i>it would have to address a reality
more risky contemporary.</i>

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<i>In the past, I have had criticism</i>

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that they have accused me
to not write about white people.

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<i>I remember a review from</i> Sula

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<i>in which the critic said:
«One day, she...», she was referring to me,</i>

116
00:07:59,091 --> 00:08:02,584
"will have to assume
the real responsibilities,

117
00:08:02,795 --> 00:08:05,560
mature and write
about the conflict

118
00:08:06,032 --> 00:08:08,592
real black people,

119
00:08:08,734 --> 00:08:09,793
which is white people.

120
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As if our lives
they didn't make sense

121
00:08:15,741 --> 00:08:17,835
nor depth without...

122
00:08:18,778 --> 00:08:19,973
...the gaze of white people.

123
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And I spent my whole life
as a writer

124
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trying to make sure

125
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that the gaze of the whites
was not the dominant

126
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<i>in none of my books.</i>

127
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<i>The Toni Morrison project</i>

128
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<i>resides precisely</i>

129
00:08:41,934 --> 00:08:45,029
in the effort to discredit...

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ACTIVIST

131
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...the notion that the gaze
of white men

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It must be omnipresent.

133
00:08:54,146 --> 00:08:55,739
<i>The center of black life</i>

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<i>it is the southern city.</i>

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00:08:57,650 --> 00:09:00,779
<i>Once a week, the family car
rattles through its streets.</i>

136
00:09:02,121 --> 00:09:04,613
<i>The rich and melodious tones
of black voices

137
00:09:04,790 --> 00:09:06,156
<i>they fly over the warm air</i>

138
00:09:06,258 --> 00:09:09,023
<i>as men gather
to discuss crops

139
00:09:09,195 --> 00:09:10,754
<i>and pass the time of the day.</i>

140
00:09:11,630 --> 00:09:13,599
<i>For women
and for men,

141
00:09:13,899 --> 00:09:15,333
<i>the city is a social center,</i>

142
00:09:15,801 --> 00:09:18,270
<i>the primary impulse of gossip
and human relationships.</i>

143
00:09:18,370 --> 00:09:19,668
COFFEE
FISH 10 -HAM 10

144
00:09:19,972 --> 00:09:23,136
<i>Through its spontaneity
in fun or work,</i>

145
00:09:23,342 --> 00:09:26,210
<i>we glimpse
the innate grace of these people.</i>

146
00:09:29,748 --> 00:09:30,841
<i>In this country,</i>

147
00:09:31,350 --> 00:09:33,785
<i>in many books, in particular
those of the 40s and 50s,</i>

148
00:09:34,153 --> 00:09:37,282
<i>the narrator's approach was felt</i>

149
00:09:37,957 --> 00:09:39,892
talking to someone white.

150
00:09:40,659 --> 00:09:43,026
It was noticeable because they explained things

151
00:09:43,896 --> 00:09:46,695
that they should not explain
if they spoke to me.

152
00:09:46,899 --> 00:09:50,768
The assumption is that the reader
He is a white person.

153
00:09:52,037 --> 00:09:54,370
<i>And that bothered me.</i>

154
00:10:01,847 --> 00:10:03,907
<i>They never spoke to me.</i>

155
00:10:04,750 --> 00:10:07,083
Not even Frederick Douglass
speaks to me.

156
00:10:07,319 --> 00:10:08,844
I feel like he's holding back.

157
00:10:10,122 --> 00:10:11,215
<i>And I understand it</i>

158
00:10:11,390 --> 00:10:13,188
<i>because the people who support it</i>

159
00:10:13,392 --> 00:10:15,361
<i>he was an abolitionist, white people.</i>

160
00:10:15,661 --> 00:10:17,926
STORY OF FREDERICK'S LIFE
DOUGLASS, US SLAVE

161
00:10:18,030 --> 00:10:19,862
<i>Sometimes he even says it.</i>

162
00:10:19,999 --> 00:10:21,968
"It's terrible to relate
with these things."

163
00:10:22,868 --> 00:10:25,167
<i>Like rapes.
I wasn't talking about that.</i>

164
00:10:27,173 --> 00:10:29,404
I felt the same way
It was true with Ralph Ellison,

165
00:10:29,942 --> 00:10:32,673
it was true
with many great writers.

166
00:10:32,845 --> 00:10:34,313
THE INVISIBLE MAN
RALPH ELLISON NOVEL

167
00:10:34,813 --> 00:10:35,746
The Invisible Man.

168
00:10:36,248 --> 00:10:37,682
<i>Invisible to whom?</i>

169
00:10:40,286 --> 00:10:42,084
<i>When she says:
«Invisible to whom?»</i>

170
00:10:42,288 --> 00:10:43,847
<i>about</i> The Invisible Man,

171
00:10:44,023 --> 00:10:46,993
You think, "How dare you
to question the great novel?

172
00:10:47,193 --> 00:10:48,252
She doesn't question

173
00:10:48,460 --> 00:10:49,894
Yes, it is a great novel.
Does not question

174
00:10:49,995 --> 00:10:51,725
if it is exquisitely written.

175
00:10:51,964 --> 00:10:53,262
Question the perspective

176
00:10:53,365 --> 00:10:55,891
that only one is defined

177
00:10:56,101 --> 00:10:59,333
what his oppressor thinks of him.

178
00:10:59,805 --> 00:11:00,795
It was something like: "Guess."

179
00:11:00,973 --> 00:11:02,339
<i>There is another world</i>

180
00:11:02,741 --> 00:11:04,073
<i>when they're not even looking.</i>

181
00:11:08,314 --> 00:11:09,805
<i>"Only when
the whites left,

182
00:11:10,115 --> 00:11:12,880
the gravediggers,
Mr. and Mrs. Hodges

183
00:11:13,118 --> 00:11:15,144
and their young son who helped them,

184
00:11:15,487 --> 00:11:17,456
the blacks below

185
00:11:17,923 --> 00:11:22,122
they entered with their hearts
hooded and teary-eyed,

186
00:11:22,428 --> 00:11:25,364
to sing 'We meet at the river',

187
00:11:25,931 --> 00:11:28,992
on the curved earth
that separated them

188
00:11:29,401 --> 00:11:32,929
of the most magnificent hatred
that they have known in life.

189
00:11:34,206 --> 00:11:37,108
The question filled the October air,

190
00:11:37,876 --> 00:11:40,107
'Shall we meet at the river?

191
00:11:40,512 --> 00:11:42,947
<i>The beautiful river?'.</i>

192
00:11:45,818 --> 00:11:47,514
<i>Maybe Sula
he answered them even then</i>

193
00:11:48,220 --> 00:11:50,849
<i>since it started to rain
and the women ran

194
00:11:51,023 --> 00:11:52,821
<i>hopping across the grass,</i>

195
00:11:52,992 --> 00:11:54,756
fearing that your hair will become stranded

196
00:11:55,027 --> 00:11:56,188
"they will anticipate them to their house."

197
00:11:59,898 --> 00:12:02,390
<i>My world is a black world.</i>

198
00:12:03,269 --> 00:12:07,263
<i>She was doing something
that many black writers

199
00:12:07,806 --> 00:12:09,900
<i>that had arisen
In the 70s they didn't do,</i>

200
00:12:10,075 --> 00:12:11,976
that is,
write about stories

201
00:12:12,177 --> 00:12:15,773
without having to speak
about eliminating... the white.

202
00:12:15,981 --> 00:12:16,846
And she doesn't...

203
00:12:16,949 --> 00:12:18,110
CRITIC OF THE NEW YORKER

204
00:12:18,217 --> 00:12:20,118
...he did it so that...

205
00:12:20,219 --> 00:12:22,017
...said that the world
of the white was wrong.

206
00:12:22,121 --> 00:12:23,453
The white world was peripheral,

207
00:12:23,555 --> 00:12:25,080
<i>if it existed.</i>

208
00:12:26,158 --> 00:12:27,854
<i>I didn't want to talk because...</i>

209
00:12:28,527 --> 00:12:29,460
<i>...black people,</i>

210
00:12:30,029 --> 00:12:33,557
<i>I just wanted to talk to you
and be among them...</i>

211
00:12:33,932 --> 00:12:34,922
It's us.

212
00:12:35,968 --> 00:12:36,958
So...

213
00:12:37,269 --> 00:12:41,570
...the first thing I had to do was
eliminate the white gaze.

214
00:12:41,974 --> 00:12:43,840
Jimmy Baldwin
I used to talk about it,

215
00:12:44,009 --> 00:12:46,069
the little white man
that sits on your shoulder...

216
00:12:47,279 --> 00:12:50,477
...and control everything
what you do and say.

217
00:12:50,983 --> 00:12:54,112
You knock him out and you're free.

218
00:12:54,420 --> 00:12:56,048
Now I am the owner of the world.

219
00:12:56,255 --> 00:12:57,985
I can write
about anything,

220
00:12:58,590 --> 00:13:00,218
to anyone and for anyone.

221
00:13:00,959 --> 00:13:05,090
I don't have to have
a white critical eye...

222
00:13:06,131 --> 00:13:07,861
...controlling and editing me.

223
00:13:08,267 --> 00:13:09,565
Approving me.

224
00:13:10,836 --> 00:13:13,396
It has nothing to do
with whom you read the books.

225
00:13:13,872 --> 00:13:16,364
I hope that everyone, of any race,

226
00:13:16,542 --> 00:13:18,602
gender and country.

227
00:13:19,311 --> 00:13:20,904
But my sovereignty

228
00:13:21,013 --> 00:13:24,882
<i>and my authority
as a racialized person

229
00:13:25,084 --> 00:13:28,851
<i>had to be beaten
immediately with the first book.</i>

230
00:13:36,261 --> 00:13:39,254
<i>Every book I read
about young black girls

231
00:13:39,431 --> 00:13:40,592
<i>they were supports...</i>

232
00:13:40,899 --> 00:13:42,299
UNCLE TOM'S CABIN

233
00:13:43,235 --> 00:13:44,601
<i>...jokes...</i>

234
00:13:47,172 --> 00:13:48,162
<i>Topsy.</i>

235
00:13:48,273 --> 00:13:49,172
UNCLE TOM'S CABIN

236
00:13:50,576 --> 00:13:53,011
<i>No one took them seriously. Never.</i>

237
00:13:55,247 --> 00:13:57,011
I wanted to read a book about that.

238
00:13:57,182 --> 00:13:59,117
and nobody wrote it.

239
00:13:59,318 --> 00:14:01,116
Blue Eyes

240
00:14:01,387 --> 00:14:03,288
<i>Even when I wrote</i>
blue eyes,

241
00:14:03,655 --> 00:14:07,387
<i>I was writing
a book I wanted to read.</i>

242
00:14:08,093 --> 00:14:11,029
I hadn't seen a book
in which black girls

243
00:14:11,163 --> 00:14:12,222
were the center of attention.

244
00:14:13,298 --> 00:14:15,460
<i>I wanted to read a book
that did not have codes,</i>

245
00:14:15,601 --> 00:14:18,571
<i>not even little notes explaining
things to white people.</i>

246
00:14:19,238 --> 00:14:20,467
<i>And I had a question</i>

247
00:14:20,939 --> 00:14:23,204
<i>very important in mind
at that time.</i>

248
00:14:23,409 --> 00:14:26,436
<i>Which was: «How does a child learn</i>

249
00:14:26,645 --> 00:14:29,114
self-hatred?"

250
00:14:29,915 --> 00:14:31,213
Where does it come from?

251
00:14:31,683 --> 00:14:33,117
Who enables it?

252
00:14:33,652 --> 00:14:35,280
How is it infectious?

253
00:14:35,988 --> 00:14:37,581
And then which ones
are the consequences?

254
00:14:37,923 --> 00:14:40,290
I'm not black. I won't be black.

255
00:14:41,093 --> 00:14:41,958
Peola.

256
00:14:42,094 --> 00:14:43,027
IMITATION OF LIFE
1934

257
00:14:43,128 --> 00:14:45,563
She called me black.
Jessie told me that.

258
00:14:45,931 --> 00:14:47,957
Jessie Pullman, what a shame.

259
00:14:49,668 --> 00:14:52,502
You. It's because you're black.

260
00:14:53,172 --> 00:14:54,401
You make me black.

261
00:14:55,274 --> 00:14:58,073
I won't be black.

262
00:14:58,243 --> 00:14:59,142
Jessie,

263
00:14:59,711 --> 00:15:02,977
how could you tell him
something so evil and cruel to Peola?

264
00:15:03,615 --> 00:15:05,982
It's not your fault, Miss B.

265
00:15:06,185 --> 00:15:08,154
It's not yours or mine.

266
00:15:08,720 --> 00:15:11,656
I don't know exactly
where the blame lies.

267
00:15:12,558 --> 00:15:13,958
This is <i>Blue Eyes...</i>

268
00:15:14,059 --> 00:15:14,719
SONIA SANCHEZ
POET

269
00:15:15,027 --> 00:15:16,359
...a novel by Toni Morrison.

270
00:15:16,462 --> 00:15:18,021
Start:
«Even if no one says anything,

271
00:15:18,197 --> 00:15:21,565
there were no marigolds
in that autumn of 1941.

272
00:15:21,667 --> 00:15:23,192
It looks like it should look, right?

273
00:15:23,302 --> 00:15:24,361
It's been used, hasn't it?

274
00:15:24,536 --> 00:15:27,233
They have sustained it,
and over the years, it broke.

275
00:15:27,506 --> 00:15:29,998
I have thrown away this book
on the other side of the room,

276
00:15:30,209 --> 00:15:31,268
I have collected it

277
00:15:31,577 --> 00:15:33,375
and then I went down the stairs laughing.

278
00:15:33,545 --> 00:15:35,138
You read Toni and you cry,

279
00:15:35,314 --> 00:15:37,442
but you must laugh.
I say, "Yes, you...

280
00:15:37,616 --> 00:15:40,450
You really understood.
“You trapped us all that time.”

281
00:15:41,553 --> 00:15:43,613
<i>"I have you on my side now, ha ha.</i>

282
00:15:43,989 --> 00:15:45,150
<i>I got you. You should read this.</i>

283
00:15:45,290 --> 00:15:46,189
<i>I got you.</i>

284
00:15:46,358 --> 00:15:48,350
<i>You must finally take care of this.
I have you.</i>

285
00:15:48,594 --> 00:15:51,154
And if you don't laugh, you don't survive.

286
00:15:51,296 --> 00:15:52,696
BLUE EYES
NOVEL BY TONI MORRISON 1970

287
00:15:52,998 --> 00:15:54,364
<i>"Even if no one says anything,</i>

288
00:15:54,533 --> 00:15:57,731
<i>there were no marigolds
in that autumn of 1941.</i>

289
00:15:58,470 --> 00:16:00,098
<i>We believed then</i>

290
00:16:00,472 --> 00:16:04,136
<i>that the marigolds did not grow
because Pecola was going to have

291
00:16:04,476 --> 00:16:06,570
<i>his father's baby.</i>

292
00:16:07,446 --> 00:16:09,506
<i>Our seeds
They were not the only ones

293
00:16:09,715 --> 00:16:13,015
<i>that did not sprout.
None sprouted.</i>

294
00:16:13,719 --> 00:16:16,416
<i>I started my career with</i> Ojos Azules

295
00:16:16,522 --> 00:16:19,686
putting the whole argument
on the first sheet.

296
00:16:20,392 --> 00:16:21,758
The reader reads the first page

297
00:16:22,160 --> 00:16:23,628
and knows exactly what happened.

298
00:16:24,162 --> 00:16:27,132
And if you turn the page
it's because he wants

299
00:16:27,299 --> 00:16:29,359
know how it happened

300
00:16:29,768 --> 00:16:31,430
or love the language.

301
00:16:31,803 --> 00:16:34,363
It is his crudest novel

302
00:16:35,040 --> 00:16:38,033
<i>and its crudeness is
really wonderful.</i>

303
00:16:38,443 --> 00:16:39,467
BLUE EYES
TONI MORRISON

304
00:16:39,578 --> 00:16:42,412
<i>Indeed in many different ways.</i>

305
00:16:43,415 --> 00:16:44,713
That's why, I think, it's still...

306
00:16:44,816 --> 00:16:45,715
WALTER MOSLEY
AUTHOR

307
00:16:45,817 --> 00:16:47,308
...of his books
more controversial.

308
00:16:47,419 --> 00:16:48,717
People always want to ban it

309
00:16:48,820 --> 00:16:50,516
<i>and they said:
"Children can't read it."</i>

310
00:16:50,622 --> 00:16:51,749
PROHIBITED
IN NORTH CAROLINA

311
00:16:52,057 --> 00:16:53,548
<i>But everything that
It bothered people

312
00:16:53,659 --> 00:16:55,127
<i>that's what I love about the book.</i>

313
00:16:55,227 --> 00:16:56,593
EAST WAKE REMOVES
BLUE EYES OF SCHOOLS

314
00:16:56,695 --> 00:16:58,527
What I say is true
in all his books,

315
00:16:58,630 --> 00:17:01,259
but i think
I liked it better in <i>Blue Eyes.</i>

316
00:17:03,068 --> 00:17:07,597
I remember an incident
from my own childhood,

317
00:17:08,373 --> 00:17:10,706
<i>when a very good friend of mine and I</i>

318
00:17:10,809 --> 00:17:12,744
<i>we were
walking down the street.</i>

319
00:17:13,645 --> 00:17:14,772
<i>We were talking...</i>

320
00:17:15,380 --> 00:17:19,181
...about whether God existed.
She said no.

321
00:17:19,751 --> 00:17:20,719
And I said yes.

322
00:17:21,086 --> 00:17:22,486
But then he said
that he had proof.

323
00:17:22,721 --> 00:17:24,781
He said he had been praying

324
00:17:25,724 --> 00:17:28,523
two years to have blue eyes...

325
00:17:29,595 --> 00:17:30,858
...and I hadn't given them to them.

326
00:17:34,232 --> 00:17:36,701
<i>I remember turning around and looking at her.</i>

327
00:17:38,136 --> 00:17:39,570
<i>She was very black,</i>

328
00:17:40,138 --> 00:17:42,664
<i>and very beautiful.</i>

329
00:17:44,643 --> 00:17:45,838
<i>How painful.</i>

330
00:17:46,712 --> 00:17:49,443
Can you imagine that kind of pain?

331
00:17:49,748 --> 00:17:51,717
About that? About the color?

332
00:17:52,451 --> 00:17:55,785
So I wanted to say
that this type of racism is painful.

333
00:17:57,489 --> 00:18:01,654
<i>They are not lynchings,
homicides and drownings,

334
00:18:02,494 --> 00:18:04,554
<i>it is the inner pain...</i>

335
00:18:06,431 --> 00:18:07,660
<i>...very deep...</i>

336
00:18:08,767 --> 00:18:12,169
...for a girl
11 years old who believes

337
00:18:12,471 --> 00:18:16,636
that if only I had
certain characteristics

338
00:18:16,908 --> 00:18:18,467
from the white world...

339
00:18:19,177 --> 00:18:20,543
<i>...that would be nice.</i>

340
00:18:22,781 --> 00:18:27,913
<i>He gave up completely
to the main narrative,</i>

341
00:18:28,286 --> 00:18:30,346
<i>that is, the whole notion
of what ugliness is,</i>

342
00:18:30,522 --> 00:18:31,785
<i>what is uselessness.</i>

343
00:18:33,692 --> 00:18:35,160
He got it from his family.

344
00:18:35,327 --> 00:18:37,489
He got it from school,
of the movies,

345
00:18:37,696 --> 00:18:39,927
- from everywhere.
-The main narrative?

346
00:18:40,499 --> 00:18:43,162
It's... a black man's life.

347
00:18:44,302 --> 00:18:48,296
The main narrative
is the ideological script

348
00:18:48,473 --> 00:18:50,874
what people impose

349
00:18:51,243 --> 00:18:52,802
with authority over others.

350
00:18:53,512 --> 00:18:56,573
The main fiction, history,

351
00:18:57,249 --> 00:18:59,275
has a certain point of view.

352
00:19:00,719 --> 00:19:03,917
<i>When these little ones see</i>

353
00:19:04,389 --> 00:19:07,484
<i>that the most precious gift
What could they get?

354
00:19:07,659 --> 00:19:09,560
<i>at Christmas it was this little white doll,</i>

355
00:19:09,928 --> 00:19:12,397
<i>is talking
a main narrative.</i>

356
00:19:12,964 --> 00:19:14,660
<i>This is beautiful, charming,</i>

357
00:19:14,766 --> 00:19:16,325
<i>and it's not you.</i>

358
00:19:18,937 --> 00:19:20,769
<i>We are talking about</i> Blue Eyes

359
00:19:20,872 --> 00:19:21,896
<i>by Toni Morrison.</i>

360
00:19:22,207 --> 00:19:23,675
I think it's a national treasure.

361
00:19:23,809 --> 00:19:24,799
Everyone should read it.

362
00:19:24,910 --> 00:19:26,845
Don't you think that
would the world be different?

363
00:19:28,380 --> 00:19:29,848
<i>In the years
from Oprah's Book Club...</i>

364
00:19:29,948 --> 00:19:30,847
READING CLUB
BY OPRAH

365
00:19:30,949 --> 00:19:33,612
...I chose four of his books.
I wanted the world,

366
00:19:33,752 --> 00:19:35,618
that everyone who could hear me...

367
00:19:35,754 --> 00:19:37,416
PRESENTER OF
THE OPRAH WINFREY SHOW

368
00:19:37,522 --> 00:19:39,787
...understand
the importance of your work.

369
00:19:40,325 --> 00:19:41,691
<i>I love the Book Club so much</i>

370
00:19:41,860 --> 00:19:45,592
<i>because you want
that there are enough books</i>

371
00:19:45,697 --> 00:19:48,462
with which people sit
safe and comfortable.

372
00:19:48,633 --> 00:19:50,363
They feel: "I can read this one,"

373
00:19:50,535 --> 00:19:54,438
When the books are about Robin,
Sue, Daniel and Jake.

374
00:19:54,539 --> 00:19:57,304
People must trust
and feel: "This is a sure thing

375
00:19:57,409 --> 00:19:59,435
What can I read and do read?
about people I know.

376
00:19:59,611 --> 00:20:01,910
And then, boom,
We give it to Toni Morrison!

377
00:20:03,014 --> 00:20:04,573
BLUE EYES
A NOVEL BY TONI MORRISON

378
00:20:04,716 --> 00:20:06,309
SULA
A NOVEL BY TONI MORRISON

379
00:20:06,418 --> 00:20:08,649
SONG OF SOLOMON
TONI MORRISON

380
00:20:08,920 --> 00:20:10,912
A NOVEL BY TONI MORRISON
TAR BABY

381
00:20:11,289 --> 00:20:12,689
BELOVED A NOVEL
BY TONI MORRISON

382
00:20:12,791 --> 00:20:14,453
JAZZ A NOVEL
BY TONI MORRISON

383
00:20:14,593 --> 00:20:15,993
PARADISE
TONI MORRISON

384
00:20:16,328 --> 00:20:17,887
<i>To survive,
we have to reread Toni...</i>

385
00:20:18,029 --> 00:20:19,327
LOVE
NOVEL BY TONI MORRISON

386
00:20:19,431 --> 00:20:20,296
<i>...every ten years...</i>

387
00:20:20,398 --> 00:20:21,388
A BLESSING -HOUSE

388
00:20:21,500 --> 00:20:23,901
<i>...because every ten or 15 years,
we must reimagine...</i>

389
00:20:24,002 --> 00:20:24,935
CHILDREN'S NIGHT

390
00:20:25,303 --> 00:20:26,862
...in an American landscape.

391
00:20:27,272 --> 00:20:28,831
You won't survive if you don't.

392
00:20:29,374 --> 00:20:31,275
Someone said: “Reinvent.”
I said, “No.

393
00:20:31,443 --> 00:20:32,911
'Reinvent' means
that you don't like yourself."

394
00:20:33,345 --> 00:20:34,278
There is something wrong.

395
00:20:34,379 --> 00:20:37,406
But reimagine
in an American landscape.

396
00:20:37,582 --> 00:20:39,676
What should I do now,
how should I live,

397
00:20:39,851 --> 00:20:42,548
how should I rearrange the vowels,

398
00:20:42,754 --> 00:20:44,848
how should I reorganize
the dirt of my feet,

399
00:20:45,023 --> 00:20:47,288
how should I reorganize
my hair, my breasts,

400
00:20:47,459 --> 00:20:48,893
my ideas.

401
00:20:53,598 --> 00:20:57,501
<i>My grandparents lived in Alabama</i>

402
00:20:57,969 --> 00:21:00,063
<i>and they had a small farm.</i>

403
00:21:00,739 --> 00:21:02,708
They worked as sharecroppers.

404
00:21:03,675 --> 00:21:06,042
<i>My grandfather played the violin,</i>

405
00:21:06,645 --> 00:21:11,345
<i>apparently very well,
and chose to go to Birmingham

406
00:21:11,449 --> 00:21:17,320
with his violin to earn money.
As a street musician.

407
00:21:17,589 --> 00:21:20,354
<i>My grandmother sent him a message</i>

408
00:21:20,525 --> 00:21:21,925
<i>saying: «We are leaving...</i>

409
00:21:22,961 --> 00:21:25,055
<i>...we will get on a train,</i>

410
00:21:25,530 --> 00:21:27,999
<i>and we will go to Akron, Ohio.</i>

411
00:21:28,867 --> 00:21:30,597
<i>She had relatives in Akron.</i>

412
00:21:31,837 --> 00:21:34,500
<i>"If you want to see again
to your daughters

413
00:21:34,940 --> 00:21:36,568
<i>or see me again...</i>

414
00:21:37,642 --> 00:21:38,905
<i>...you should get on that train.</i>

415
00:21:40,979 --> 00:21:42,845
<i>I can't stay here.</i>

416
00:21:43,381 --> 00:21:45,543
White children surround us.

417
00:21:48,987 --> 00:21:50,888
That's all he had to say.

418
00:21:52,057 --> 00:21:53,787
<i>"White children surround us</i>

419
00:21:54,593 --> 00:21:55,993
<i>and we must go.</i>

420
00:21:56,828 --> 00:21:59,627
<i>I'll be on such and such a train,</i>

421
00:21:59,865 --> 00:22:02,630
<i>at such and such a time, going north.</i>

422
00:22:03,068 --> 00:22:06,835
<i>If you want to see us again,
Get on the train.</i>

423
00:22:08,740 --> 00:22:10,470
<i>What he meant</i>

424
00:22:10,742 --> 00:22:12,938
It's just that the girls were growing up.
Maybe they had

425
00:22:13,378 --> 00:22:15,472
I don't know, 12 or 13 years old.

426
00:22:15,914 --> 00:22:17,780
And the white children...

427
00:22:18,450 --> 00:22:21,147
...they would look at them from a distance.

428
00:22:22,053 --> 00:22:23,954
but she knew
what they had in mind.

429
00:22:28,860 --> 00:22:30,692
<i>They called him Big Dad.</i>

430
00:22:30,996 --> 00:22:34,125
<i>The train left, and he wasn't there.</i>

431
00:22:35,133 --> 00:22:38,433
I was on the train,
but I didn't want anyone

432
00:22:38,770 --> 00:22:41,638
saw him leave Birmingham

433
00:22:42,107 --> 00:22:44,770
because I thought
that they would take him off the train

434
00:22:45,577 --> 00:22:48,877
or they would arrest him or do whatever they
they do to black people who move.

435
00:22:48,980 --> 00:22:51,415
He was hiding on the train.

436
00:22:51,783 --> 00:22:56,187
<i>The family was very excited
that Big Daddy was there.</i>

437
00:22:57,622 --> 00:22:59,853
<i>My mother says she was very happy</i>

438
00:22:59,991 --> 00:23:05,828
because for the first time
They saw and ate white bread,

439
00:23:07,098 --> 00:23:10,000
which, easily,
It's the worst thing in the world.

440
00:23:12,537 --> 00:23:15,837
<i>And they made their first stop in Ohio.</i>

441
00:23:22,881 --> 00:23:25,146
What the hell was there
in the water in Ohio...?

442
00:23:26,918 --> 00:23:29,149
because there was something
in the water in Ohio

443
00:23:29,788 --> 00:23:32,019
that made you and Rita Dove
left Ohio

444
00:23:32,190 --> 00:23:33,556
<i>and they wrote what they wrote.</i>

445
00:23:33,658 --> 00:23:34,990
OHIO STATE
BIRTH CERTIFICATE

446
00:23:35,093 --> 00:23:37,722
DATE OF BIRTH
FEBRUARY 18, 1931

447
00:23:37,896 --> 00:23:39,956
BORN ALIVE AT 11.00 A

448
00:23:40,131 --> 00:23:42,498
PLACE OF BIRTH
LORAIN COUNTY

449
00:23:42,634 --> 00:23:43,567
FULL NAME Chloe

450
00:23:43,668 --> 00:23:45,603
<i>Chloe is my birth name.</i>

451
00:23:46,838 --> 00:23:48,602
My saint's name is Anthony.

452
00:23:48,974 --> 00:23:50,738
My maiden name: Wofford.

453
00:23:51,142 --> 00:23:52,667
People always pronounce it wrong.

454
00:23:52,844 --> 00:23:54,938
They said Chou, even my teachers.

455
00:23:57,015 --> 00:23:58,506
<i>Chlow, Clough.</i>

456
00:23:59,951 --> 00:24:01,249
Oh Clovis!

457
00:24:01,886 --> 00:24:04,788
So I shortened it
and I gave myself the name of my saint.

458
00:24:05,256 --> 00:24:08,920
And I got, of course,
my married name, Morrison.

459
00:24:11,663 --> 00:24:13,655
<i>It is a way of dividing life.</i>

460
00:24:15,667 --> 00:24:19,627
<i>One of those names is the person
which is outside.</i>

461
00:24:21,239 --> 00:24:23,640
And the other is the one who is not there...

462
00:24:24,009 --> 00:24:26,240
...the one who doesn't make documentaries.

463
00:24:30,615 --> 00:24:32,174
<i>Its place is the center of the USA,</i>

464
00:24:32,283 --> 00:24:34,650
<i>because it is the south and it is the west,</i>

465
00:24:34,953 --> 00:24:36,649
<i>and it is the east, and it is a river</i>

466
00:24:36,755 --> 00:24:38,189
<i>and everything comes together.</i>

467
00:24:38,556 --> 00:24:39,888
BLACK RIVER

468
00:24:40,725 --> 00:24:42,990
<i>Lorain by Toni. It's his rhythm.</i>

469
00:24:44,195 --> 00:24:47,097
<i>It's like something out of the pages</i>

470
00:24:47,265 --> 00:24:48,790
of Blue Eyes.

471
00:24:50,835 --> 00:24:52,736
<i>It was a steel town</i>

472
00:24:53,004 --> 00:24:55,803
<i>on the shore of Lake Erie.</i>

473
00:24:56,074 --> 00:24:57,667
<i>And there was work.</i>

474
00:24:59,544 --> 00:25:02,241
<i>Full of immigrants from Poland...</i>

475
00:25:03,915 --> 00:25:04,848
<i>...Italy...</i>

476
00:25:04,949 --> 00:25:05,814
FRANK ROSSO
FRUIT

477
00:25:05,917 --> 00:25:08,887
<i>...black people from Canada
who had escaped,

478
00:25:09,087 --> 00:25:10,988
<i>had gone to Canada
and he had returned.</i>

479
00:25:11,089 --> 00:25:11,988
SIXTH CITY
ALWAYS 10

480
00:25:12,123 --> 00:25:13,022
MILL
AND SUPPLIER COMPANY

481
00:25:13,158 --> 00:25:14,888
<i>So it was very mixed</i>

482
00:25:15,727 --> 00:25:17,218
regarding culture and race.

483
00:25:19,898 --> 00:25:21,867
<i>There was a poor working class</i>

484
00:25:22,267 --> 00:25:25,066
<i>and very few middle class people.</i>

485
00:25:27,906 --> 00:25:30,205
<i>We were very poor.</i>

486
00:25:30,308 --> 00:25:31,901
CLEVELAND TRUST COMPANY

487
00:25:32,010 --> 00:25:33,034
<i>We moved a lot</i>

488
00:25:33,211 --> 00:25:34,941
<i>because we couldn't pay the rent...</i>

489
00:25:35,080 --> 00:25:36,742
LABORATORY
1853 ELYRIA AVENUE

490
00:25:36,848 --> 00:25:37,872
...of four dollars.

491
00:25:39,017 --> 00:25:40,986
<i>My mother cooked, washed and all that.</i>

492
00:25:41,119 --> 00:25:42,087
RAMAH AND GEORGE WOFFORD

493
00:25:42,220 --> 00:25:45,748
<i>My father worked in the steel mill
at different times.</i>

494
00:25:46,691 --> 00:25:49,593
<i>I was never at home
at the same time.</i>

495
00:25:51,863 --> 00:25:55,664
<i>I don't know if people understand</i>

496
00:25:55,800 --> 00:25:57,769
that poverty was not a shame

497
00:25:58,103 --> 00:25:59,230
as it is now.

498
00:25:59,671 --> 00:26:02,004
They didn't pressure you to get ahead,

499
00:26:02,307 --> 00:26:03,366
very far ahead.

500
00:26:03,741 --> 00:26:06,210
you just wanted
your family and be healthy,

501
00:26:06,778 --> 00:26:08,940
and enough resources
how to have food

502
00:26:09,147 --> 00:26:10,342
and pay the bills.

503
00:26:10,849 --> 00:26:13,717
And if that happened,
and you had your church

504
00:26:13,818 --> 00:26:15,116
and friends, that was all.

505
00:26:17,689 --> 00:26:18,918
<i>The people who lived next door</i>

506
00:26:19,090 --> 00:26:21,889
<i>when we moved
to 21st street was from Russia.</i>

507
00:26:21,993 --> 00:26:22,961
21st STREET
ELYRIA AVENUE

508
00:26:23,094 --> 00:26:25,723
<i>My mother and the wife
They used to exchange recipes.</i>

509
00:26:26,898 --> 00:26:28,924
She taught my mother
to cook

510
00:26:29,667 --> 00:26:32,034
a plate of cabbage.

511
00:26:32,670 --> 00:26:34,298
And the people who lived there

512
00:26:34,706 --> 00:26:36,004
It was something else.

513
00:26:36,241 --> 00:26:37,675
Those people were black.

514
00:26:37,976 --> 00:26:39,376
There were like two black families

515
00:26:39,744 --> 00:26:40,803
on that street

516
00:26:41,012 --> 00:26:42,947
There were neighbors and they were watching.

517
00:26:43,781 --> 00:26:46,341
Nobody was there
messing with others.

518
00:26:46,851 --> 00:26:49,685
<i>It was quiet.
It seemed boring to me.</i>

519
00:26:54,092 --> 00:26:55,685
<i>I read all the time.</i>

520
00:26:57,962 --> 00:27:00,090
<i>My mother and my grandparents</i>

521
00:27:00,265 --> 00:27:02,791
<i>they were anxious
for maintaining that

522
00:27:02,967 --> 00:27:04,060
<i>because they came from a place</i>

523
00:27:04,235 --> 00:27:06,329
where you couldn't read.

524
00:27:07,172 --> 00:27:08,731
There were no schools

525
00:27:08,940 --> 00:27:12,104
<i>and they firmly believed
in that skill.</i>

526
00:27:12,310 --> 00:27:14,745
The rain falls 23456789-10

527
00:27:14,913 --> 00:27:16,905
My mother joined
to reading clubs.

528
00:27:17,148 --> 00:27:20,846
It was something very precious,
and they were proud of it.

529
00:27:21,920 --> 00:27:23,081
<i>We were horrified to find out</i>

530
00:27:23,254 --> 00:27:25,155
<i>that the school leader
from Ohio Debe Terhar</i>

531
00:27:25,323 --> 00:27:29,158
has prohibited the novel
1970 by Toni Morrison

532
00:27:29,327 --> 00:27:30,386
<i>Blue Eyes</i>

533
00:27:30,695 --> 00:27:32,721
be on the reading list
state recommended

534
00:27:32,830 --> 00:27:33,729
for 11th grade.

535
00:27:33,865 --> 00:27:34,924
<i>Terhar describes the book...</i>

536
00:27:35,033 --> 00:27:35,966
BLUE EYES
TONI MORRISON

537
00:27:36,067 --> 00:27:37,763
<i>...as pornographic and said, I quote:</i>

538
00:27:37,902 --> 00:27:39,302
<i>"I don't want my grandchildren to read that</i>

539
00:27:39,470 --> 00:27:41,837
<i>and I don't want that
Nobody's grandchildren read it.</i>

540
00:27:41,940 --> 00:27:43,738
<i>Should not be used in any school</i>

541
00:27:43,908 --> 00:27:46,844
<i>of Ohio in children between</i>
<i>kindergarten and 12th <i>grade.</i>

542
00:27:48,413 --> 00:27:50,973
I think that history always
has shown that books

543
00:27:51,082 --> 00:27:52,141
They are the first...

544
00:27:52,784 --> 00:27:56,312
...valley where fighting
certain types of battles.

545
00:27:56,821 --> 00:28:00,189
Parents have the right
to restrict books

546
00:28:01,025 --> 00:28:02,186
<i>in his house.</i>

547
00:28:02,994 --> 00:28:04,087
<i>They have the right</i>

548
00:28:04,762 --> 00:28:06,993
<i>to tell their children what to read.</i>

549
00:28:08,132 --> 00:28:11,193
But they have no right
to tell my children

550
00:28:11,436 --> 00:28:12,369
what to read,

551
00:28:13,271 --> 00:28:16,332
what happens when
you publicly ban a book.

552
00:28:16,774 --> 00:28:21,508
In the bathroom, I have
a framed document,

553
00:28:21,980 --> 00:28:26,111
a letter from the office
Texas Penitentiary

554
00:28:26,751 --> 00:28:30,984
which says that <i>Paradise</i>
He was banned from jail...

555
00:28:31,089 --> 00:28:32,216
PARADISE. - TONI MORRISON
1997

556
00:28:32,323 --> 00:28:35,088
<i>...because it could incite disorder.</i>

557
00:28:36,861 --> 00:28:39,456
And I thought, “How powerful is that?

558
00:28:40,465 --> 00:28:42,525
I could break the whole place!”

559
00:28:45,503 --> 00:28:49,031
<i>His language skills
It has something...</i>

560
00:28:50,875 --> 00:28:53,310
...since the reader feels

561
00:28:53,511 --> 00:28:56,970
that she talks to him
and can answer you,

562
00:28:57,915 --> 00:29:00,885
and also found in Morrison
a new language about himself...

563
00:29:00,985 --> 00:29:02,419
TEACHER
FROM HARVARD UNIVERSITY

564
00:29:02,520 --> 00:29:04,079
...about the condition
in which they live.

565
00:29:04,289 --> 00:29:09,023
And that discovery gives them
a sense of transcendence.

566
00:29:09,227 --> 00:29:12,459
Toni Morrison's work
It's for all of us,

567
00:29:13,298 --> 00:29:17,065
his words, his language
He is a friend of our minds.

568
00:29:17,235 --> 00:29:18,498
That's what you feel

569
00:29:18,903 --> 00:29:21,304
when you are in the middle of reading.

570
00:29:21,472 --> 00:29:24,340
comforts you

571
00:29:24,842 --> 00:29:28,244
and allows you to understand
that the pain is okay.

572
00:29:28,446 --> 00:29:32,440
Reaches depths
of pain and shows us,

573
00:29:32,817 --> 00:29:35,184
through the pain,
the thousands of ways

574
00:29:35,353 --> 00:29:37,982
in which we can reach
to love That's what it does...

575
00:29:38,923 --> 00:29:40,255
...with a few words
on one page.

576
00:29:40,892 --> 00:29:42,520
That's what he does all the time.

577
00:29:43,394 --> 00:29:45,454
<i>He teaches us all the time.</i>

578
00:29:46,030 --> 00:29:48,590
<i>There is no prayer
that Ilena is not there

579
00:29:49,000 --> 00:29:52,528
deep
of meaning, knowledge

580
00:29:52,870 --> 00:29:53,963
<i>and information.</i>

581
00:29:56,074 --> 00:29:58,168
<i>The books
I found them interesting.</i>

582
00:29:59,010 --> 00:30:01,343
<i>I read everything there was
in the library.</i>

583
00:30:02,146 --> 00:30:03,045
<i>Everything.</i>

584
00:30:03,915 --> 00:30:05,440
But mainly
It was the language,

585
00:30:05,616 --> 00:30:09,144
the different modes
to say the same.

586
00:30:09,320 --> 00:30:12,518
Decisions made by the authors

587
00:30:12,924 --> 00:30:16,156
to tell me something
or make me see something.

588
00:30:16,461 --> 00:30:19,260
That was the fantastic thing.
It still is.

589
00:30:21,299 --> 00:30:24,030
<i>When my sister
graduated from high school...</i>

590
00:30:24,202 --> 00:30:25,192
YESTERDAY WAS OUR CHALLENGE

591
00:30:25,303 --> 00:30:27,568
<i>...got a job
in the library.</i>

592
00:30:27,872 --> 00:30:31,536
<i>And very sweetly
He got me a job as an assistant.</i>

593
00:30:32,343 --> 00:30:34,278
<i>He took the books from a cart</i>

594
00:30:34,612 --> 00:30:36,171
and returned them
to the shelves.

595
00:30:36,347 --> 00:30:38,111
The children's part
was down

596
00:30:38,282 --> 00:30:40,251
and above was Dostoyevsky.

597
00:30:40,451 --> 00:30:42,352
I mean, they had nothing.
for young adults.

598
00:30:42,520 --> 00:30:43,579
That didn't exist.

599
00:30:44,322 --> 00:30:47,156
They were books for little children.
and then there was the real world.

600
00:30:47,492 --> 00:30:50,621
But I was slow
because I read the books

601
00:30:51,129 --> 00:30:53,428
instead of returning them quickly.

602
00:30:54,031 --> 00:30:56,523
So they promoted me
to the catalog department...

603
00:30:58,202 --> 00:31:00,899
<i>...where I worked until I left
to university.</i>

604
00:31:04,475 --> 00:31:07,968
I remember that when I was 13 I read <i>Sula.</i>

605
00:31:08,246 --> 00:31:10,545
<i>There was a group of girls on my block.</i>

606
00:31:11,082 --> 00:31:13,017
<i>Believe it or not, between jumping rope</i>

607
00:31:13,184 --> 00:31:16,211
<i>and play matatena,
We shared books.</i>

608
00:31:17,221 --> 00:31:19,952
Somehow,
in that circulation

609
00:31:20,057 --> 00:31:21,423
<i>there was a book,</i> Sula,

610
00:31:21,526 --> 00:31:25,156
<i>with a black woman with a hairstyle
soft afro on the cap

611
00:31:25,563 --> 00:31:29,000
<i>and we read it.
I remember that my friends

612
00:31:29,100 --> 00:31:30,659
<i>they couldn't stand Sula</i>

613
00:31:30,968 --> 00:31:33,597
<i>because he went to bed
with her best friend's husband.</i>

614
00:31:34,572 --> 00:31:37,098
Actually, for me,
That made it more interesting.

615
00:31:37,241 --> 00:31:38,971
<i>that is, it broke a taboo.</i>

616
00:31:41,312 --> 00:31:42,336
<i>When you see</i>

617
00:31:43,014 --> 00:31:45,381
<i>that there was a character
like Sula in the world,</i>

618
00:31:45,483 --> 00:31:50,114
gave me a world of language
from which I could escape,

619
00:31:50,388 --> 00:31:52,050
but also
a world that I recognized

620
00:31:52,457 --> 00:31:56,326
<i>as a young black woman in
a working class community.</i>

621
00:31:57,361 --> 00:32:00,297
Showed me the magic of my own world

622
00:32:01,165 --> 00:32:02,326
<i>that I didn't see.</i>

623
00:32:02,533 --> 00:32:04,502
<i>And after reading it,
It was difficult to see

624
00:32:04,669 --> 00:32:06,638
<i>my own world in the same way.</i>

625
00:32:09,373 --> 00:32:12,366
<i>The work of the novelist
is to take you to a place

626
00:32:13,311 --> 00:32:15,371
<i>that you couldn't even imagine.</i>

627
00:32:15,580 --> 00:32:17,549
The novelist's work
is to become

628
00:32:17,648 --> 00:32:20,345
in a child who ends
of learning to read.

629
00:32:21,252 --> 00:32:23,585
<i>And you just learned to imagine</i>

630
00:32:24,155 --> 00:32:26,056
<i>what the language says.</i>

631
00:32:28,493 --> 00:32:30,758
<i>Toni tells
extraordinary stories

632
00:32:31,162 --> 00:32:35,031
that move people
in a very deep place.

633
00:32:35,266 --> 00:32:37,997
The story is almost like bait.

634
00:32:38,202 --> 00:32:39,670
Some people read those books.

635
00:32:40,037 --> 00:32:42,199
Other people convert
those books in movies.

636
00:32:42,540 --> 00:32:45,271
Others tell them those stories
to other people.

637
00:32:45,543 --> 00:32:47,739
Others show those books to people

638
00:32:48,079 --> 00:32:49,240
who is not interested in reading,

639
00:32:49,447 --> 00:32:52,110
but when you hear the story,
their lives are transformed.

640
00:32:52,283 --> 00:32:55,185
They say: "Wow,
"I had never thought about it."

641
00:32:56,521 --> 00:33:00,014
<i>Books have an impact
incredible in our culture,</i>

642
00:33:00,358 --> 00:33:03,226
although almost all
Our culture doesn't know it.

643
00:33:04,495 --> 00:33:07,590
<i>In 1995, I traveled with Toni
to Mexico City.</i>

644
00:33:08,065 --> 00:33:10,364
But when we arrive,
We couldn't get out of the car.

645
00:33:10,535 --> 00:33:12,265
<i>Many people had gone</i>

646
00:33:12,470 --> 00:33:13,563
<i>to see Toni Morrison.</i>

647
00:33:15,473 --> 00:33:17,339
<i>Someone else on stage said:</i>

648
00:33:17,441 --> 00:33:19,342
«Would you like us to translate,

649
00:33:19,644 --> 00:33:22,341
than a simultaneous translator
translate into Spanish

650
00:33:22,513 --> 00:33:24,482
What does Toni Morrison read and say?

651
00:33:24,649 --> 00:33:28,450
In unison, they said
from the audience: “No!

652
00:33:29,554 --> 00:33:32,046
We just want to hear Toni Morrison.

653
00:33:32,590 --> 00:33:34,354
We understand her

654
00:33:34,792 --> 00:33:37,523
because we are also
in their language.

655
00:33:38,563 --> 00:33:41,260
<i>They know there is freedom</i>

656
00:33:41,365 --> 00:33:43,231
<i>in this woman's language.</i>

657
00:33:43,334 --> 00:33:45,826
Took the canon of the written language

658
00:33:46,370 --> 00:33:47,531
and broke it in two.

659
00:33:47,705 --> 00:33:49,401
It is the Emancipation Proclamation

660
00:33:49,574 --> 00:33:50,701
of the English language.

661
00:33:53,477 --> 00:33:55,503
<i>Every time I go
to a place in the world,</i>

662
00:33:55,613 --> 00:33:56,637
I go to a bookstore.

663
00:33:56,747 --> 00:33:59,478
There's always a Morrison section.

664
00:33:59,684 --> 00:34:03,314
<i>I receive emails
of women in China...</i>

665
00:34:03,621 --> 00:34:06,090
<i>...or from Japan who study it.</i>

666
00:34:06,257 --> 00:34:10,524
<i>I have graduated students
from Asia, Africa, Latin America.</i>

667
00:34:10,628 --> 00:34:14,497
<i>Morrison is a global figure.
It is a global phenomenon.</i>

668
00:34:14,732 --> 00:34:16,598
<i>He speaks to people
from all over the world.</i>

669
00:34:17,535 --> 00:34:19,094
If there is life on Mars,

670
00:34:19,670 --> 00:34:21,366
read Toni Morrison to find out

671
00:34:21,539 --> 00:34:22,802
what it is to be human.

672
00:34:23,174 --> 00:34:24,233
LORAIN
CORPORATE LIMITS

673
00:34:24,408 --> 00:34:26,104
CZECH GRILL

674
00:34:26,243 --> 00:34:27,438
LEVEL CROSSING

675
00:34:32,116 --> 00:34:34,449
<i>They were very strict
physically with us

676
00:34:35,620 --> 00:34:38,488
when I was a girl.
That is, criticism.

677
00:34:38,656 --> 00:34:40,215
"Don't sit next to anyone."

678
00:34:40,391 --> 00:34:43,190
They were very serious,

679
00:34:43,394 --> 00:34:44,453
particularly with girls.

680
00:34:44,729 --> 00:34:46,527
I don't think they did that
with my brothers,

681
00:34:46,764 --> 00:34:49,199
with the minors,
but with the girls, yes.

682
00:34:49,467 --> 00:34:51,868
There was a wonderful place
where we could go dancing

683
00:34:52,336 --> 00:34:55,465
in South Lorain.
My mother took us...

684
00:34:56,207 --> 00:34:57,470
...and he brought us!

685
00:35:01,312 --> 00:35:03,440
<i>My sister got married
when he finished high school.</i>

686
00:35:04,582 --> 00:35:05,550
<i>I don't...</i>

687
00:35:06,484 --> 00:35:08,680
<i>...so I was a wild card there.</i>

688
00:35:11,489 --> 00:35:13,219
<i>I wanted to go to university,</i>

689
00:35:13,357 --> 00:35:16,225
<i>first, to get away from my family
since I had...</i>

690
00:35:16,527 --> 00:35:19,463
...fifteen or 16 years old.
And they know what families are like,

691
00:35:19,597 --> 00:35:22,294
They tell you: "Take off your lipstick",
and stuff.

692
00:35:22,466 --> 00:35:24,526
But for me it was leaving my house...

693
00:35:25,569 --> 00:35:28,630
...and also get closer to a place
where I could read.

694
00:35:31,442 --> 00:35:33,377
<i>I had an uncle who had gone for a year</i>

695
00:35:33,544 --> 00:35:34,705
<i>to Ohio State.</i>

696
00:35:35,880 --> 00:35:39,840
<i>And I lived very close,
about ten kilometers from Oberlin.</i>

697
00:35:41,752 --> 00:35:43,744
<i>My mother told me:
"Well, go to Oberlin."</i>

698
00:35:45,322 --> 00:35:47,655
And I thought: "He will call me

699
00:35:47,825 --> 00:35:49,885
and he will tell me to come
to wash clothes."

700
00:35:50,261 --> 00:35:53,288
So I wanted to go away.
I knew about Howard,

701
00:35:53,397 --> 00:35:54,797
<i>so I sent
the application and I went there.</i>

702
00:35:54,899 --> 00:35:55,958
THIS IS WASHINGTON, D.C.

703
00:36:06,444 --> 00:36:07,912
<i>When I entered Howard...</i>

704
00:36:09,280 --> 00:36:10,339
...it was loose.

705
00:36:12,850 --> 00:36:14,910
It was charming. I loved it.

706
00:36:15,386 --> 00:36:19,221
I'm sure I overdid it
But I don't regret it now.

707
00:36:22,860 --> 00:36:27,423
<i>She was the best baker.
Particularly with sweet things.</i>

708
00:36:27,865 --> 00:36:29,800
And he made the best carrot cake.

709
00:36:29,967 --> 00:36:30,900
He's still the best.

710
00:36:31,235 --> 00:36:33,727
Nobody, not even my sister,
that is close.

711
00:36:33,871 --> 00:36:35,464
They don't put enough carrots in it!

712
00:36:40,678 --> 00:36:43,512
<i>There were young boys
in college...</i>

713
00:36:43,914 --> 00:36:45,974
...they paid me 25 dollars

714
00:36:46,484 --> 00:36:47,577
for one of my cakes.

715
00:36:48,285 --> 00:36:51,016
They always told me: «Toni,
whatever you do in life,

716
00:36:51,455 --> 00:36:55,449
you will always be the woman
who bakes my cakes.

717
00:36:59,597 --> 00:37:03,591
<i>I studied English literature
at Howard University.</i>

718
00:37:03,768 --> 00:37:08,900
But in the drama department,
They read things differently.

719
00:37:09,907 --> 00:37:12,638
You must know the feelings,
you must know the conflicts,

720
00:37:12,843 --> 00:37:15,278
you must know all the subtleties

721
00:37:15,446 --> 00:37:16,505
that language has,

722
00:37:16,680 --> 00:37:18,706
but you express them
physically and stuff.

723
00:37:19,483 --> 00:37:22,453
<i>So I always preferred
the drama department

724
00:37:22,787 --> 00:37:24,415
<i>and Howard's Actors.</i>

725
00:37:26,524 --> 00:37:30,052
She was very good at a role,
that of Queen Elizabeth.

726
00:37:31,395 --> 00:37:32,385
It was excellent.

727
00:37:32,530 --> 00:37:34,624
HOWARD ACTORS PRESENT
KING RICHARD III BY SHAKESPEARE

728
00:37:34,732 --> 00:37:38,430
<i>And I turned out to be a star
in that work.</i>

729
00:37:42,306 --> 00:37:44,502
<i>They didn't teach anything about blacks</i>

730
00:37:44,742 --> 00:37:46,335
<i>in the English department.</i>

731
00:37:47,678 --> 00:37:48,839
<i>The closer you got</i>

732
00:37:48,979 --> 00:37:53,383
white in culture
and the academic,

733
00:37:53,617 --> 00:37:56,382
you were better
This is a school for blacks

734
00:37:56,487 --> 00:37:59,047
<i>largely financed
by the government.</i>

735
00:38:00,558 --> 00:38:03,050
<i>I remember that I approached
to my Shakespeare teacher,

736
00:38:03,594 --> 00:38:07,964
<i>which was very good,
and I described what I wanted

737
00:38:08,432 --> 00:38:10,060
write in my article.

738
00:38:11,068 --> 00:38:13,435
And I thought I would write
about black characters

739
00:38:13,604 --> 00:38:14,697
in Shakespeare.

740
00:38:15,105 --> 00:38:18,633
He got angry. He said, "What?

741
00:38:19,076 --> 00:38:20,442
No.

742
00:38:20,744 --> 00:38:22,872
As if staining
the name of Shakespeare.

743
00:38:23,347 --> 00:38:25,873
There were four characters
that I wanted to talk about.

744
00:38:26,383 --> 00:38:28,784
He didn't leave me,
so I wrote something else.

745
00:38:30,054 --> 00:38:31,613
WELCOME TO THE 23rd I.D.A. ANNUAL

746
00:38:31,722 --> 00:38:32,883
<i>You went to Howard</i>

747
00:38:33,057 --> 00:38:34,548
<i>and then to Cornell.</i>

748
00:38:35,426 --> 00:38:37,588
<i>Did you dream of teaching,
write or what?</i>

749
00:38:37,795 --> 00:38:39,093
- Teach.
- Teach.

750
00:38:39,463 --> 00:38:41,022
I wanted to be a teacher, and I was.

751
00:38:41,699 --> 00:38:43,065
I did it.
When I finished university...

752
00:38:43,367 --> 00:38:44,528
ARTS, MASTER
INSTRUCTOR, ENGLISH

753
00:38:44,635 --> 00:38:47,867
<i>...I taught at the University
from South Texas and returned to Howard

754
00:38:48,105 --> 00:38:49,437
<i>as a teacher and I stayed there</i>

755
00:38:49,607 --> 00:38:51,132
until I couldn't stay any longer.

756
00:38:51,508 --> 00:38:52,976
- By?
- I didn't have a doctorate.

757
00:38:56,580 --> 00:38:58,515
<i>When I taught at Princeton,</i>

758
00:38:58,682 --> 00:39:01,151
<i>I had a creative writing course.</i>

759
00:39:02,386 --> 00:39:04,753
He told the students
that I didn't want

760
00:39:04,989 --> 00:39:07,083
to write anything about his life.

761
00:39:07,458 --> 00:39:09,859
I know they had been taught
to write what they know,

762
00:39:10,661 --> 00:39:12,789
but I told them not to do that.

763
00:39:13,063 --> 00:39:16,659
They didn't know anything,
so I wanted them to invent.

764
00:39:17,167 --> 00:39:21,036
I wanted them to write
about a mexican girl

765
00:39:21,605 --> 00:39:25,098
who didn't speak english,
who worked in Houston

766
00:39:25,476 --> 00:39:27,911
<i>as a waitress, at the counter.</i>

767
00:39:28,545 --> 00:39:30,537
<i>It gave them ideas</i>

768
00:39:30,648 --> 00:39:33,777
that were very different
to anything in your life.

769
00:39:34,485 --> 00:39:37,683
And I must tell you that they took it

770
00:39:37,855 --> 00:39:41,121
and they fled with it.
It was almost like an open door.

771
00:39:43,594 --> 00:39:45,187
<i>If someone said:
"What do you think?"

772
00:39:45,663 --> 00:39:49,498
<i>what is Toni in literature?</i>

773
00:39:50,067 --> 00:39:53,868
<i>I told him that I had arrived</i>

774
00:39:54,038 --> 00:39:57,202
<i>to an ideal place, and that place</i>

775
00:39:57,574 --> 00:40:00,738
It was like Shakespeare,
but common.

776
00:40:01,712 --> 00:40:04,978
In ancient times,
everyone in the tragedy

777
00:40:05,816 --> 00:40:08,445
They were kings and princes,

778
00:40:08,652 --> 00:40:09,915
very important people.

779
00:40:11,121 --> 00:40:13,886
<i>Toni's characters,
the drama level

780
00:40:14,058 --> 00:40:18,223
<i>and tragedy was about people
who lived a common life.</i>

781
00:40:19,463 --> 00:40:21,955
<i>Black people, poor people,
women, men, whatever.</i>

782
00:40:22,099 --> 00:40:26,093
But the important thing was
which was common.

783
00:40:29,873 --> 00:40:31,808
<i>They had never been seen before.</i>

784
00:40:32,710 --> 00:40:35,145
<i>And something else had not been seen,</i>

785
00:40:36,080 --> 00:40:37,605
<i>that is, a book</i>

786
00:40:37,915 --> 00:40:40,475
<i>that turned around
of women's friendship.</i>

787
00:40:41,652 --> 00:40:42,915
<i>That was the main course.</i>

788
00:40:44,955 --> 00:40:46,856
It puts women
in the center of those...

789
00:40:46,957 --> 00:40:47,981
PAULA GIDDINGS
AUTHOR

790
00:40:48,125 --> 00:40:48,990
...epic narratives.

791
00:40:52,997 --> 00:40:54,522
<i>She said that if you didn't understand</i>

792
00:40:54,698 --> 00:40:57,258
<i>the history of women
African Americans,

793
00:40:57,835 --> 00:40:59,804
You didn't understand US history.

794
00:41:04,742 --> 00:41:06,142
<i>Covers four centuries.</i>

795
00:41:06,744 --> 00:41:09,043
In his work, he covers four centuries.

796
00:41:12,783 --> 00:41:17,949
<i>And what it does is get in
at that time...</i>

797
00:41:19,857 --> 00:41:21,086
<i>...and those places...</i>

798
00:41:24,094 --> 00:41:25,995
<i>...and reimagine.</i>

799
00:41:30,167 --> 00:41:33,001
<i>Imagine the past
because the past has been broken.</i>

800
00:41:33,203 --> 00:41:35,035
The record of the past,
of your people,

801
00:41:35,205 --> 00:41:37,800
has been demoted,
has been burned.

802
00:41:37,908 --> 00:41:39,137
<i>It has been taken from them.</i>

803
00:41:41,845 --> 00:41:43,575
<i>And therefore, you need Toni</i>

804
00:41:43,747 --> 00:41:48,151
that reaches that past
and imagine it historically

805
00:41:48,552 --> 00:41:51,215
gathering fragments,
pieces and narrative

806
00:41:51,622 --> 00:41:53,853
that the world
and the white people's libraries,

807
00:41:54,024 --> 00:41:55,253
they have ignored
and kept away.

808
00:41:57,795 --> 00:41:59,991
<i>When I taught at Howard,</i>

809
00:42:00,130 --> 00:42:04,591
<i>I got married, I had my children
and I got divorced.</i>

810
00:42:04,768 --> 00:42:06,760
NEW YORK BOOK REVIEW

811
00:42:06,870 --> 00:42:08,168
<i>I had subscribed...</i>

812
00:42:08,272 --> 00:42:09,331
ALFRED KAZIN
ABOUT HENRY ADAMS

813
00:42:09,640 --> 00:42:11,268
<i>...to Book Review
from New York...</i>

814
00:42:11,608 --> 00:42:12,268
JANUARY 14, 1965

815
00:42:12,576 --> 00:42:15,740
<i>...before I left
from Washington with my children</i>

816
00:42:16,146 --> 00:42:17,910
<i>and I will move in with my mother.</i>

817
00:42:18,148 --> 00:42:19,116
GREETINGS FROM
LORAIN OHIO

818
00:42:19,216 --> 00:42:24,211
<i>One day, they appeared
three copies of the same edition

819
00:42:24,655 --> 00:42:26,954
<i>in my mother's mailbox.</i>

820
00:42:27,791 --> 00:42:29,919
<i>And I thought it was weird...</i>

821
00:42:31,228 --> 00:42:33,254
...but I looked at it
and in the back

822
00:42:33,363 --> 00:42:34,592
there were advertisements.

823
00:42:34,698 --> 00:42:36,326
BOOK REVIEW
RECEIVE CLASSIFIED ADVERTISERS

824
00:42:36,633 --> 00:42:38,659
<i>...for professional jobs.</i>

825
00:42:38,802 --> 00:42:39,667
WRITERS...

826
00:42:40,604 --> 00:42:43,768
<i>And there was a vacancy among them</i>

827
00:42:44,374 --> 00:42:46,240
<i>for a job in Syracuse.</i>

828
00:42:48,078 --> 00:42:52,243
<i>"A major publisher
Request an executive editor.</i>

829
00:42:52,983 --> 00:42:55,316
<i>Man or woman.</i>

830
00:42:55,886 --> 00:42:59,220
<i>They are needed
originality and imagination.</i>

831
00:42:59,957 --> 00:43:04,986
<i>We prefer a person
between 35 and 45 years old</i>

832
00:43:05,162 --> 00:43:07,063
<i>with a master's degree.</i>

833
00:43:07,731 --> 00:43:11,190
<i>You want something
of teaching experience.</i>

834
00:43:11,735 --> 00:43:15,968
<i>All answers will be
kept in strict confidence.</i>

835
00:43:16,306 --> 00:43:20,767
Box Z
New York Book Review.</i>

836
00:43:21,378 --> 00:43:25,145
And I remember saying:
"It could be me."

837
00:43:29,119 --> 00:43:30,178
SISTER ROSETTA THARPE 1964

838
00:43:45,435 --> 00:43:48,872
<i>I left my children at home with my mother.</i>

839
00:43:50,107 --> 00:43:54,010
<i>My sister and I
We got into my dad's car,</i>

840
00:43:54,845 --> 00:43:56,905
<i>had an Oldsmobile
at that time,</i>

841
00:43:57,748 --> 00:43:58,841
that he appreciated,

842
00:43:59,016 --> 00:44:02,282
since the car he had had
I didn't have brakes before

843
00:44:03,053 --> 00:44:05,284
and we had to jump out
every time we arrived

844
00:44:05,455 --> 00:44:08,721
to the place where he took us

845
00:44:09,092 --> 00:44:11,960
or when I turned the corner,
He said: "Now."

846
00:44:12,930 --> 00:44:14,159
<i>So now we had a car.</i>

847
00:44:14,831 --> 00:44:16,356
<i>My sister and I drove...</i>

848
00:44:17,167 --> 00:44:18,897
<i>...to Syracuse.</i>

849
00:44:19,036 --> 00:44:20,231
SYRACUSE
NEW YORK

850
00:44:20,337 --> 00:44:23,364
<i>I had the interview
and they gave me the job.</i>

851
00:44:25,008 --> 00:44:26,237
GREETINGS FROM SYRACUSE,
NEW YORK

852
00:44:26,343 --> 00:44:28,005
<i>That's how I started working there</i>

853
00:44:28,478 --> 00:44:30,310
before Random House

854
00:44:30,847 --> 00:44:33,180
would buy the company,
what was called

855
00:44:33,383 --> 00:44:35,181
the company L.W. Singer,

856
00:44:35,786 --> 00:44:37,482
and they all had to go to New York,

857
00:44:37,888 --> 00:44:39,857
those who wanted to go to New York.

858
00:44:40,958 --> 00:44:42,324
And they took me.

859
00:44:49,733 --> 00:44:51,258
<i>I was in a team of secretaries</i>

860
00:44:51,501 --> 00:44:54,164
<i>at Random House in 1969.</i>

861
00:44:55,239 --> 00:44:57,834
<i>Toni came and was the editor
in the commercial division

862
00:44:58,041 --> 00:45:00,272
<i>on the floor where
I was working.</i>

863
00:45:00,911 --> 00:45:02,743
<i>My friends and I
we get to know her better</i>

864
00:45:02,913 --> 00:45:04,939
<i>when one day he approached
to ask us</i>

865
00:45:05,115 --> 00:45:06,743
<i>that we type something for it.</i>

866
00:45:07,050 --> 00:45:08,313
<i>We told him: "Sure."</i>

867
00:45:08,452 --> 00:45:11,786
And she said, "If they type it,
I will go to your apartment

868
00:45:11,922 --> 00:45:13,481
and I will prepare them
the best carrot cake

869
00:45:13,890 --> 00:45:14,949
that they have eaten in their life.

870
00:45:15,359 --> 00:45:16,952
It seemed to us
which was a good deal.

871
00:45:17,127 --> 00:45:18,789
Without a doubt, Toni came one day

872
00:45:18,962 --> 00:45:20,897
and did the best
carrot cake of life.

873
00:45:21,064 --> 00:45:22,532
Still... I've never eaten one like it.

874
00:45:22,899 --> 00:45:25,835
It wasn't until some time later that I realized

875
00:45:26,003 --> 00:45:28,268
What were we typing about?
part of <i>Blue Eyes.</i>

876
00:45:28,438 --> 00:45:30,998
Now I know THERE ARE NO CALENDULA
IN THE FALL OF 1941.

877
00:45:34,544 --> 00:45:39,505
<i>In 1970, he was 39.
Toni was 39 years old.</i>

878
00:45:40,183 --> 00:45:41,913
<i>We both worked
at Random House.</i>

879
00:45:42,319 --> 00:45:44,788
<i>Within the set
Random House, is

880
00:45:44,921 --> 00:45:47,891
Alfred Knopf, who I directed
for many years.

881
00:45:47,991 --> 00:45:51,052
Vintage, Doubleday.
It has many parts.

882
00:45:51,194 --> 00:45:52,890
MRS. TONI MORRISON
EDITOR-RANDOM HOUSE

883
00:45:53,030 --> 00:45:56,330
<i>Toni was an editor
of what we call Little Random</i>

884
00:45:56,533 --> 00:45:58,297
<i>and I directed Alfred Knopf.</i>

885
00:45:59,102 --> 00:46:01,264
<i>I thought: «They don't know
I'm a writer.</i>

886
00:46:02,539 --> 00:46:04,235
<i>And I will continue like this.</i>

887
00:46:05,275 --> 00:46:06,903
They want an editor.

888
00:46:07,144 --> 00:46:10,046
They don't want a writer.
Editors are not writers.

889
00:46:10,414 --> 00:46:12,508
So I don't tell anyone.
Do I think that works?

890
00:46:12,883 --> 00:46:14,010
No.

891
00:46:16,420 --> 00:46:17,945
NOVEMBER 30, 1970 / 50 CENTS

892
00:46:18,088 --> 00:46:19,886
<i>I became aware that I was a writer</i>

893
00:46:19,990 --> 00:46:22,186
<i>when he published</i> Ojos Azules.

894
00:46:22,326 --> 00:46:24,158
164 PAGES. HOLT, RINEHART
AND WINSTON. $5.95.

895
00:46:24,261 --> 00:46:26,253
<i>And of course,
since she was a colleague,</i>

896
00:46:26,963 --> 00:46:28,329
<i>I read it quickly.</i>

897
00:46:29,232 --> 00:46:31,030
I thought it was wonderful.

898
00:46:32,402 --> 00:46:33,961
<i>And after printing
What caused me...</i>

899
00:46:34,071 --> 00:46:35,061
BOOKS
BEGINNER'S LUCK

900
00:46:35,172 --> 00:46:38,336
<i>...the then boss of everything
Random House, Bob Bernstein,</i>

901
00:46:38,508 --> 00:46:39,999
<i>said quite wisely:</i>

902
00:46:40,110 --> 00:46:43,137
«We have a wonderful writer
who works for us,

903
00:46:43,313 --> 00:46:47,148
"we should publish it,"
but it couldn't be Little Random

904
00:46:47,317 --> 00:46:48,478
because she worked there,

905
00:46:49,086 --> 00:46:51,578
so Knopf, who was
a more literary division,

906
00:46:52,155 --> 00:46:54,124
<i>it was the obvious place,
I was the editor-in-chief

907
00:46:54,291 --> 00:46:57,193
<i>and it was a natural meeting
because we knew each other.</i>

908
00:46:58,995 --> 00:47:00,930
<i>And with the exception of one novel,</i>

909
00:47:01,098 --> 00:47:03,033
<i>I edited all his books
since then.</i>

910
00:47:06,403 --> 00:47:08,133
He is the best editor there is,

911
00:47:08,438 --> 00:47:10,964
and Knopf was a very...

912
00:47:11,875 --> 00:47:14,174
...special, so
I was very lucky

913
00:47:14,978 --> 00:47:20,440
to be at the top as an author
with an editor,

914
00:47:21,284 --> 00:47:22,547
and below as editor.

915
00:47:22,886 --> 00:47:25,549
RANDOM HOUSE, INC.
TONI MORRISON. - EDITOR

916
00:47:25,655 --> 00:47:27,283
THANK YOU FOR SENDING US
BLACK REPAIRS.

917
00:47:27,391 --> 00:47:28,450
TONI MORRISON
CHIEF EDITOR

918
00:47:28,558 --> 00:47:29,958
I did both things well

919
00:47:30,260 --> 00:47:31,956
because I could see the difference.

920
00:47:32,129 --> 00:47:33,324
The assumption is
that when you edit

921
00:47:33,497 --> 00:47:35,898
someone else's book,
you put your own stuff.

922
00:47:36,366 --> 00:47:37,493
I made that separation

923
00:47:37,667 --> 00:47:39,397
<i>because I was a teacher for a long time.</i>

924
00:47:39,536 --> 00:47:41,129
AFRICAN AMERICAN STUDIES

925
00:47:41,271 --> 00:47:43,137
<i>You look at the work
of the students. It's not yours.</i>

926
00:47:43,240 --> 00:47:44,538
TEACHER-OFFICE: 110
DICKINSON ROOM

927
00:47:44,641 --> 00:47:47,270
<i>You make the distinction
between the two arts.</i>

928
00:47:47,377 --> 00:47:48,470
COURSE DESCRIPTION

929
00:47:48,612 --> 00:47:49,545
<i>She was very good at that.</i>

930
00:47:54,284 --> 00:47:56,947
<i>Once, I heard two people
talking about Toni...</i>

931
00:47:58,321 --> 00:48:00,017
<i>The first one said:</i>

932
00:48:00,357 --> 00:48:05,227
<i>"I love Toni Morrison
because his novels

933
00:48:05,595 --> 00:48:08,121
"They transcend race."

934
00:48:10,467 --> 00:48:12,163
And the next person said...

935
00:48:13,437 --> 00:48:14,632
...«I love Ton Morrison

936
00:48:15,205 --> 00:48:17,106
because he is not afraid
of being black.

937
00:48:17,607 --> 00:48:20,372
And the whole room applauded.

938
00:48:20,477 --> 00:48:23,641
It was the experience
more wonderful.

939
00:48:32,022 --> 00:48:34,253
<i>The Civil Rights Movement
had been transformed

940
00:48:34,357 --> 00:48:36,326
<i>in the Black Power movement.</i>

941
00:48:36,526 --> 00:48:38,358
THE BLACK REVOLUTION

942
00:48:39,296 --> 00:48:42,198
<i>So it was a period
very confrontational...</i>

943
00:48:42,599 --> 00:48:44,124
SEPARATION?
INTEGRATION? RELEASE?

944
00:48:44,234 --> 00:48:46,465
<i>A lot of rethinking
of what race meant.</i>

945
00:48:46,570 --> 00:48:47,663
WHICH SIDE
USA BLACK?

946
00:48:47,971 --> 00:48:50,600
What the race relationship
It was for the country and the state.

947
00:48:52,409 --> 00:48:54,002
FREE HUEY

948
00:48:54,578 --> 00:48:57,138
<i>They were also emerging
important black leaders,

949
00:48:57,481 --> 00:48:59,712
<i>and talking about
a very different way

950
00:49:00,083 --> 00:49:02,348
<i>to think about the protest...</i>

951
00:49:03,620 --> 00:49:06,249
...and how to change the country.

952
00:49:06,423 --> 00:49:07,584
TAKE ADVANTAGE OF THE TIME
BOBBY SEALE

953
00:49:07,691 --> 00:49:10,752
<i>It was an extraordinary moment,
a very exciting moment.</i>

954
00:49:11,661 --> 00:49:14,426
<i>Many people
began to publish.</i>

955
00:49:14,998 --> 00:49:18,264
<i>The Black Power movement
It focused on men.</i>

956
00:49:18,535 --> 00:49:20,367
<i>The predominant movement
of white women

957
00:49:20,470 --> 00:49:23,201
<i>focused on white women
and there was always the question

958
00:49:23,607 --> 00:49:26,338
where they belonged
white women and women of color

959
00:49:26,510 --> 00:49:28,706
in general in this period.

960
00:49:36,253 --> 00:49:38,085
<i>I believe that his profound contribution</i>

961
00:49:38,255 --> 00:49:41,487
<i>to the American publisher
has a lot to do with it

962
00:49:41,658 --> 00:49:43,354
with the voices that she brought

963
00:49:44,027 --> 00:49:45,757
to a largely white institution.

964
00:49:46,363 --> 00:49:48,389
<i>Gayl Jones, Lucille Clifton,</i>

965
00:49:48,598 --> 00:49:51,295
<i>Toni Cade Bambara, Angela Davis.</i>

966
00:49:51,801 --> 00:49:54,430
<i>These were all his female writers.</i>

967
00:49:55,539 --> 00:49:58,407
<i>As editor, she said:
«It doesn't have to be like this.</i>

968
00:49:58,642 --> 00:50:00,440
<i>Let's tear down the walls
from the ivory tower,

969
00:50:00,677 --> 00:50:03,112
let's get all these people together

970
00:50:03,346 --> 00:50:05,508
and let's make a kind
literary wave.

971
00:50:12,656 --> 00:50:13,521
<i>I've heard her say...</i>

972
00:50:13,657 --> 00:50:14,488
FREE ANGELA

973
00:50:14,658 --> 00:50:18,060
<i>..."And I'm not on the street,
in the trenches.</i>

974
00:50:18,328 --> 00:50:21,492
I'm not marching.
What can I do where I am?

975
00:50:21,665 --> 00:50:24,464
And therein lies the lesson, yes.
What can we do where we are?

976
00:50:26,303 --> 00:50:28,169
<i>Where I am, I am an editor.</i>

977
00:50:29,139 --> 00:50:31,404
<i>I thought it was important</i>

978
00:50:31,575 --> 00:50:33,840
<i>that people are in the streets.</i>

979
00:50:34,844 --> 00:50:37,439
<i>But they couldn't last.</i>

980
00:50:37,581 --> 00:50:38,742
FEMALE LIBERATION

981
00:50:39,082 --> 00:50:40,448
<i>You need registration.</i>

982
00:50:41,651 --> 00:50:45,782
It would be my job to publish the voices,

983
00:50:46,256 --> 00:50:49,818
the books, the ideas
of African Americans

984
00:50:50,160 --> 00:50:51,492
and that would last.

985
00:50:54,164 --> 00:50:56,156
<i>He addressed me</i>

986
00:50:56,366 --> 00:50:57,834
<i>from Random House</i>

987
00:50:58,201 --> 00:51:02,502
with the proposal to write
an autobiography,

988
00:51:02,739 --> 00:51:05,334
What should I say I thought?
that at that moment

989
00:51:05,542 --> 00:51:07,101
It was quite absurd.

990
00:51:07,310 --> 00:51:10,303
who writes
an autobiography at 28 years old?

991
00:51:11,348 --> 00:51:14,318
<i>In the US, supporters
of the Black Liberation movement

992
00:51:14,484 --> 00:51:15,679
<i>they are increasing the pressure</i>

993
00:51:15,852 --> 00:51:18,253
<i>in the campaign to free
to Angela Davis,</i>

994
00:51:18,488 --> 00:51:20,582
<i>the black philosophy professor
and communist,

995
00:51:20,857 --> 00:51:23,725
<i>who now faces a charge
for homicide in California.</i>

996
00:51:24,728 --> 00:51:28,665
<i>Toni Morrison can be
extremely persuasive.</i>

997
00:51:28,865 --> 00:51:32,302
<i>Finally he convinced me
that the book

998
00:51:32,502 --> 00:51:36,872
what I wanted to publish
It was the book I wanted to write.

999
00:51:37,273 --> 00:51:39,708
I just didn't know
of him at that moment.

1000
00:51:39,909 --> 00:51:41,207
ANGELA DAVIS
AN AUTOBIOGRAPHY

1001
00:51:41,311 --> 00:51:44,372
<i>She taught me about the importance
of the imagination

1002
00:51:44,547 --> 00:51:47,244
<i>in ways that were
radically different.</i>

1003
00:51:47,384 --> 00:51:50,252
I. ARRIVAL AT HAMILTON AIR BASE
Il. JAIL

1004
00:51:50,387 --> 00:51:53,152
<i>He was looking at something I had written</i>

1005
00:51:53,657 --> 00:51:55,182
<i>and she was trying...</i>

1006
00:51:55,291 --> 00:51:56,281
REAL PHYSICAL

1007
00:51:56,393 --> 00:51:57,827
<i>...help me make it more evocative</i>

1008
00:51:58,228 --> 00:52:00,220
<i>and not simply analytical.</i>

1009
00:52:00,363 --> 00:52:01,626
deeply PHYSICAL

1010
00:52:01,831 --> 00:52:04,357
IT WAS A LONG BATTLE...
I DID NOT LEAVE THIS CELL

1011
00:52:04,501 --> 00:52:05,730
UNTIL LATE AFTERNOON

1012
00:52:05,835 --> 00:52:07,667
<i>She asked questions like:</i>

1013
00:52:07,871 --> 00:52:10,864
<i>Where were you?
What was in the room?</i>

1014
00:52:11,241 --> 00:52:13,836
<i>What furniture was there?
What colors were there?</i>

1015
00:52:14,678 --> 00:52:16,374
<i>How did you feel?</i>

1016
00:52:17,414 --> 00:52:18,712
What smell was there?

1017
00:52:19,582 --> 00:52:24,350
<i>And then, it helped me
to access my imagination

1018
00:52:24,554 --> 00:52:28,423
<i>so I continue
giving thanks today.</i>

1019
00:52:29,959 --> 00:52:31,860
LOOK WHAT THEY DID TO MY SONG
JOHN MCCLUSKEY

1020
00:52:31,961 --> 00:52:33,452
DIE FOR PEOPLE
HUEY P. NEWTON

1021
00:52:33,596 --> 00:52:34,859
WIND ROPE
AND OTHER STORIES

1022
00:52:34,964 --> 00:52:36,523
THE CASE FOR BLACK REPAIRS

1023
00:52:36,633 --> 00:52:38,329
SEXIST JUSTICE
KAREN DECROW

1024
00:52:38,468 --> 00:52:39,868
GEORGE JACKSON
BLOOD IN MY EYE

1025
00:52:40,236 --> 00:52:41,226
LESBIAN MYTH
BETTIE WYSON

1026
00:52:41,337 --> 00:52:42,965
<i>She edits them,
does the marketing,</i>

1027
00:52:43,339 --> 00:52:44,500
<i>choose the covers.</i>

1028
00:52:44,841 --> 00:52:49,336
He takes care of his writers
as it was done before.

1029
00:52:50,547 --> 00:52:52,948
<i>She is the architect and the midwife...</i>

1030
00:52:53,983 --> 00:52:55,281
<i>...and the artist.</i>

1031
00:52:55,985 --> 00:52:57,920
Place Angela Davis books

1032
00:52:58,221 --> 00:53:00,952
on a table, has
a small silver beret

1033
00:53:01,558 --> 00:53:02,821
<i>and she is the editor.</i>

1034
00:53:03,560 --> 00:53:05,722
<i>Angela is the star,
and she is the editor...</i>

1035
00:53:07,363 --> 00:53:08,592
<i>...sitting
lighting a cigarette

1036
00:53:08,698 --> 00:53:12,794
<i>and watching how Angela Davis
It's Angela for the camera.</i>

1037
00:53:13,803 --> 00:53:16,637
That was his job,
and did his job.

1038
00:53:18,575 --> 00:53:21,568
<i>I think that how success came to him</i>

1039
00:53:21,878 --> 00:53:24,575
<i>relatively late, she was an adult.</i>

1040
00:53:26,783 --> 00:53:28,649
<i>When I met Toni,
I was still working

1041
00:53:28,752 --> 00:53:30,243
<i>at Random House as editor.</i>

1042
00:53:30,553 --> 00:53:31,919
<i>But my editor called me and said:</i>

1043
00:53:32,355 --> 00:53:33,721
«I received a call from Bob Bernstein.

1044
00:53:33,857 --> 00:53:34,881
CULTURAL CRITICISM

1045
00:53:34,991 --> 00:53:37,324
You must stop frequenting
Toni Morrison's office.

1046
00:53:37,427 --> 00:53:38,588
He doesn't finish his work.

1047
00:53:38,695 --> 00:53:40,596
They spend all day
smoking and talking.

1048
00:53:44,400 --> 00:53:46,960
Toni did a promotional tour
from the book with Muhammad Ali.

1049
00:53:48,638 --> 00:53:50,698
<i>Toni published the book
by Muhammad Ali.</i>

1050
00:53:51,508 --> 00:53:53,739
<i>There has been a first impression
of 100,000 copies...</i>

1051
00:53:53,843 --> 00:53:55,471
THE BEST: MY OWN STORY
MUHAMMAD ALI

1052
00:53:55,578 --> 00:53:57,444
...and there will be
a second impression

1053
00:53:57,680 --> 00:54:00,445
of 25,000 copies, and one month left

1054
00:54:00,617 --> 00:54:02,916
- for publication.
<i>- When I met him,</i>

1055
00:54:03,319 --> 00:54:04,787
and I asked him a question,

1056
00:54:04,888 --> 00:54:06,789
he responded
and looked at a man...

1057
00:54:07,590 --> 00:54:09,286
...and he never looked at me
directly to me...

1058
00:54:10,059 --> 00:54:12,324
<i>...while answering.</i>

1059
00:54:13,897 --> 00:54:16,526
<i>But then he remembered that he respects
to older women...</i>

1060
00:54:16,633 --> 00:54:17,828
ALI SAVES CENTER FOR SENIORS HERE

1061
00:54:17,967 --> 00:54:19,026
<i>He doesn't answer me</i>

1062
00:54:19,435 --> 00:54:20,994
<i>because I'm not
in this other category.</i>

1063
00:54:21,638 --> 00:54:25,006
But I'm like your mother
or an older woman...

1064
00:54:26,009 --> 00:54:29,411
<i>...I just crossed my arms. So
So I entered the room and asked him:</i>

1065
00:54:29,579 --> 00:54:31,411
«Ali, get up from there.

1066
00:54:32,482 --> 00:54:34,815
"You have something to do."
He looked up

1067
00:54:35,351 --> 00:54:37,650
and he recognized something else...

1068
00:54:38,555 --> 00:54:42,322
...to an adult,
a larger version of the...

1069
00:54:43,526 --> 00:54:44,459
...girl.

1070
00:54:45,995 --> 00:54:48,464
And from there,
He did everything I said.

1071
00:54:50,733 --> 00:54:52,361
<i>And everyone loved those jokes,</i>

1072
00:54:52,468 --> 00:54:56,838
<i>but inside there was a man
completely understanding,

1073
00:54:57,674 --> 00:54:59,666
<i>affectionate and kind.</i>

1074
00:55:09,719 --> 00:55:12,689
<i>Navigating a world
of white men

1075
00:55:13,022 --> 00:55:15,958
<i>it was not threatening.
It wasn't even interesting.</i>

1076
00:55:17,594 --> 00:55:19,927
I was more interesting than them.

1077
00:55:20,630 --> 00:55:22,496
I knew more than them.

1078
00:55:23,366 --> 00:55:24,857
And I wasn't afraid to show it.

1079
00:55:27,670 --> 00:55:28,933
<i>You have to be a little tough</i>

1080
00:55:29,672 --> 00:55:31,038
<i>and trust in yourself...</i>

1081
00:55:31,808 --> 00:55:33,071
<i>...and say no to people.</i>

1082
00:55:34,043 --> 00:55:36,603
<i>Don't you want to give me the money
because I am a woman

1083
00:55:36,813 --> 00:55:38,577
and men receive more?

1084
00:55:39,649 --> 00:55:40,617
No.

1085
00:55:45,822 --> 00:55:49,623
<i>The first job I had
in a publishing house, L.W. Singer...</i>

1086
00:55:50,493 --> 00:55:53,395
I noticed that the men in the company

1087
00:55:53,863 --> 00:55:55,126
they charged more

1088
00:55:55,932 --> 00:55:59,528
<i>than me when
the increases were distributed.</i>

1089
00:56:03,106 --> 00:56:05,098
<i>So I went to my boss.</i>

1090
00:56:06,976 --> 00:56:08,410
<i>And I said to him: «You did not increase me</i>

1091
00:56:08,611 --> 00:56:10,773
<i>as well as my colleagues
that they are men.</i>

1092
00:56:10,980 --> 00:56:13,040
And he said: "Yes, but..."
And I said: «No.

1093
00:56:13,182 --> 00:56:15,515
I don't want to hear any 'buts'.
I want to tell you something.

1094
00:56:15,785 --> 00:56:21,088
I am head of the family like you.

1095
00:56:26,062 --> 00:56:30,591
Maybe you think I'm colored
or woman or whatever.

1096
00:56:30,800 --> 00:56:36,171
I am head of the family like you.

1097
00:56:37,840 --> 00:56:39,206
Yes, I got the raise.

1098
00:56:46,449 --> 00:56:48,941
<i>You raised your two children.</i>

1099
00:56:49,686 --> 00:56:50,813
<i>Your husband is gone,</i>

1100
00:56:50,987 --> 00:56:54,515
<i>and you had to raise
your two children, right?</i>

1101
00:56:54,657 --> 00:56:55,590
FORD AND SLADE MORRISON

1102
00:56:55,692 --> 00:56:56,660
It was terrible.

1103
00:56:56,826 --> 00:56:58,089
- Yeah?
- It was very hard.

1104
00:56:58,761 --> 00:56:59,626
Frightening.

1105
00:56:59,729 --> 00:57:01,595
Tell me, what were you appealing to?
to achieve it?

1106
00:57:01,764 --> 00:57:02,663
To my family.

1107
00:57:03,466 --> 00:57:06,800
<i>My brothers, my mother,
my grandfather, my sisters.</i>

1108
00:57:06,903 --> 00:57:08,735
<i>You need everyone you know.</i>

1109
00:57:10,139 --> 00:57:13,109
He lived in New York.
I worked as an editor.

1110
00:57:13,209 --> 00:57:15,701
I went back and forth to Yale teaching.

1111
00:57:16,012 --> 00:57:18,140
<i>So I had to send them
home in the summer.</i>

1112
00:57:19,148 --> 00:57:20,741
<i>My family had to come.</i>

1113
00:57:21,584 --> 00:57:22,882
<i>Even so...</i>

1114
00:57:24,220 --> 00:57:25,483
...it was difficult.

1115
00:57:28,992 --> 00:57:30,722
<i>Toni wrote many of these books</i>

1116
00:57:30,927 --> 00:57:33,055
with two small children at home.

1117
00:57:33,563 --> 00:57:36,089
And also, Toni had a period
that he had invented for himself,

1118
00:57:36,599 --> 00:57:37,623
don't close the door

1119
00:57:38,201 --> 00:57:40,193
where was I working
so that the children

1120
00:57:40,670 --> 00:57:43,970
they didn't feel that
They did not have permission to enter.

1121
00:57:47,510 --> 00:57:50,503
<i>I was working</i>
in Song of Solomon

1122
00:57:50,813 --> 00:57:53,009
<i>and they had recently published</i> Sula.

1123
00:57:53,850 --> 00:57:55,876
<i>I prepared breakfast for them
to the children.</i>

1124
00:57:56,085 --> 00:57:58,077
<i>And suddenly, he turned around,</i>

1125
00:57:58,254 --> 00:58:01,691
picked up a pen
and wrote something down.

1126
00:58:02,992 --> 00:58:07,191
<i>I often went with her
to his office at Random House.</i>

1127
00:58:08,097 --> 00:58:11,261
<i>We were driving
to New York City.</i>

1128
00:58:12,735 --> 00:58:15,102
<i>Traffic stopped on the bridge.</i>

1129
00:58:15,271 --> 00:58:18,639
She took a pen
back in the car,

1130
00:58:18,741 --> 00:58:21,040
put a piece of paper on the steering wheel

1131
00:58:21,210 --> 00:58:22,610
and wrote something down.

1132
00:58:23,846 --> 00:58:25,712
<i>He did this constantly.</i>

1133
00:58:28,051 --> 00:58:30,077
<i>Then when I read</i>
Song of Solomon,

1134
00:58:30,253 --> 00:58:32,188
I said, “That was a miracle.”

1135
00:58:34,057 --> 00:58:36,151
<i>I don't know where it comes from
the energy of this woman

1136
00:58:36,325 --> 00:58:37,657
<i>to raise two children,</i>

1137
00:58:37,894 --> 00:58:40,125
contribute to other people of color,

1138
00:58:40,296 --> 00:58:41,628
and write these novels.

1139
00:58:41,798 --> 00:58:43,061
He said, "It's not that I'm doing

1140
00:58:43,166 --> 00:58:45,032
many different things.
I'm doing one thing,

1141
00:58:45,201 --> 00:58:48,194
that is, teach books,
I write books, I edit books.

1142
00:58:48,771 --> 00:58:50,763
If you can think of it like that,

1143
00:58:50,873 --> 00:58:52,774
It is much more manageable.

1144
00:58:54,844 --> 00:58:56,710
<i>I remember sitting
in my office

1145
00:58:57,146 --> 00:58:59,877
<i>at Random House
with a pad of sheets...</i>

1146
00:59:00,983 --> 00:59:02,918
...and I wrote on the left side

1147
00:59:03,119 --> 00:59:04,678
everything I had to do.

1148
00:59:05,021 --> 00:59:07,923
<i>Take care of my children,
go to the store,</i>

1149
00:59:08,024 --> 00:59:10,653
<i>pay the bills,
edit this, write this</i>

1150
00:59:10,760 --> 00:59:12,092
<i>and covered the page.</i>

1151
00:59:12,795 --> 00:59:13,888
<i>And then I said:</i>

1152
00:59:14,330 --> 00:59:18,734
«Of that number,
What do you have to do?

1153
00:59:19,669 --> 00:59:20,864
And there were only two things...

1154
00:59:21,971 --> 00:59:23,269
...take care of my children

1155
00:59:24,107 --> 00:59:25,006
and write.

1156
00:59:25,675 --> 00:59:28,008
And crossed out anything
that it wasn't that.

1157
00:59:29,645 --> 00:59:31,204
2.50
0.18

1158
00:59:31,347 --> 00:59:34,681
<i>If you see that the title does not sell,
you get rid of it.</i>

1159
00:59:34,817 --> 00:59:36,649
<i>If you sell, you order more.</i>

1160
00:59:36,752 --> 00:59:37,947
<i>And you know your clientele,</i>

1161
00:59:38,054 --> 00:59:40,182
<i>you find out the story
of past sales of a book.</i>

1162
00:59:40,890 --> 00:59:43,826
<i>I remember sitting
in a conference room.</i>

1163
00:59:44,694 --> 00:59:47,289
<i>One of the sellers said:
«We cannot sell</i>

1164
00:59:47,897 --> 00:59:49,866
certain books
on both sides of the street.</i>

1165
00:59:49,966 --> 00:59:51,195
AFRICAN BOOKSTORE
IN NATIONAL MEMORY

1166
00:59:51,300 --> 00:59:53,235
<i>That is, there is an audience
of white people,

1167
00:59:53,336 --> 00:59:55,805
maybe an audience of black people,

1168
00:59:56,139 --> 00:59:57,801
but they don't merge.

1169
00:59:57,974 --> 00:59:59,636
So I thought:
"Well, I'll figure it out."

1170
00:59:59,775 --> 01:00:02,142
And I'll do something that everyone loves,

1171
01:00:02,378 --> 01:00:03,903
<i>particularly black people.</i>

1172
01:00:04,046 --> 01:00:05,173
THE BLACK BOOK

1173
01:00:05,681 --> 01:00:08,947
The Black Book
<i>it was a radical book</i>

1174
01:00:09,051 --> 01:00:13,113
<i>because she doesn't give us
a contextualization of blackness.</i>

1175
01:00:13,289 --> 01:00:14,313
It's just like that.

1176
01:00:14,657 --> 01:00:16,319
I WAS WHEN THE ANGEL
TOOK OUT THE ANCESTOR

1177
01:00:16,425 --> 01:00:18,326
I WAS WHEN THE WATERS
THEY CONSUMED THE MOUNTAINS

1178
01:00:18,895 --> 01:00:21,421
<i>You open the book and there are photos</i>

1179
01:00:21,731 --> 01:00:26,294
<i>of black memories,
sculptures of the continent,</i>

1180
01:00:26,936 --> 01:00:28,268
<i>black jeans...</i>

1181
01:00:29,839 --> 01:00:30,863
<i>...scores...</i>

1182
01:00:31,274 --> 01:00:32,708
THE FUNNY LITTLE BLACKS

1183
01:00:32,875 --> 01:00:34,241
<i>...racist scores...</i>

1184
01:00:35,244 --> 01:00:38,408
...it's the mess that it is
the life of the African American.

1185
01:00:43,920 --> 01:00:47,948
There was no single narrative.
It was everything.

1186
01:00:48,124 --> 01:00:50,389
BLACK RIDERS WHO WON
THE KENTUCKY DERBY

1187
01:00:50,726 --> 01:00:53,389
ALL THE BEAUTIFUL HORSES

1188
01:00:53,763 --> 01:00:55,288
<i>It gives us a file.</i>

1189
01:00:55,431 --> 01:00:56,455
THE SLAVE
BY THOMAS JEFFERSON

1190
01:00:56,766 --> 01:00:58,291
There it is. There are the documents.

1191
01:00:58,467 --> 01:01:00,231
This is from some people
to whom they told

1192
01:01:00,369 --> 01:01:02,167
that have no history.
Well, here it is.

1193
01:01:02,271 --> 01:01:03,796
SLAVE TAX REVENUE
VIRGINIA

1194
01:01:03,906 --> 01:01:05,306
<i>It's something like... there used to be</i>

1195
01:01:05,474 --> 01:01:08,034
<i>an African American museum,
here it is.</i>

1196
01:01:08,177 --> 01:01:10,203
PUBLIC SALES OF BLACKS

1197
01:01:10,313 --> 01:01:14,250
It is a study of the aspects
emotional and survival

1198
01:01:14,350 --> 01:01:15,875
of the blacks.

1199
01:01:15,985 --> 01:01:17,715
WE MUST TAKE A PATH
AND WE HAVE LITTLE TIME

1200
01:01:17,853 --> 01:01:19,287
<i>It reminds me of who I am.</i>

1201
01:01:22,725 --> 01:01:26,093
<i>I had a brother who passed away
about a year in jail.</i>

1202
01:01:26,262 --> 01:01:30,324
And I asked him some questions about
the language, the language of prison.

1203
01:01:30,800 --> 01:01:32,769
He answered me and I put it in the book.

1204
01:01:33,035 --> 01:01:34,833
My aunt wrote part of it.

1205
01:01:35,004 --> 01:01:37,166
<i>My mother's face
It's on the cover.</i>

1206
01:01:39,342 --> 01:01:40,469
BOOK PARTY
THE BLACK BOOK

1207
01:01:40,776 --> 01:01:42,074
<i>It sold a lot.</i>

1208
01:01:42,445 --> 01:01:45,176
<i>And there were wonderful answers.</i>

1209
01:01:45,281 --> 01:01:46,840
THE ENTIRE CATALOG OF THE BLACKS

1210
01:01:46,983 --> 01:01:50,147
<i>I sent books to people in places</i>

1211
01:01:50,386 --> 01:01:53,914
that the sellers did not know.
And I sent one to the cousin

1212
01:01:54,457 --> 01:01:56,983
from someone or someone
who was in jail.

1213
01:01:58,127 --> 01:02:00,358
And he wrote me a letter,

1214
01:02:01,297 --> 01:02:04,324
he thanked me
and asked me for two more copies.

1215
01:02:05,167 --> 01:02:08,968
<i>He told me: «I need a
to throw against the wall.</i>

1216
01:02:10,006 --> 01:02:11,235
<i>I need another...</i>

1217
01:02:12,141 --> 01:02:13,370
<i>...to give to a friend.</i>

1218
01:02:15,945 --> 01:02:19,780
<i>And I want to hold this
against my heart."</i>

1219
01:02:19,915 --> 01:02:21,816
I HAVE BEEN A VICTIM
THE BELGIANS CUT OFF MY HANDS

1220
01:02:21,951 --> 01:02:23,317
IN THE CONGO
THEY LYNNED ME IN TEXAS.

1221
01:02:26,289 --> 01:02:29,521
<i>My father thought that everyone
the whites were incorrigible.</i>

1222
01:02:30,860 --> 01:02:31,520
<i>They were lost.</i>

1223
01:02:32,295 --> 01:02:33,558
<i>You can't do anything for them,</i>

1224
01:02:33,863 --> 01:02:35,456
<i>they will always be horrible.</i>

1225
01:02:49,178 --> 01:02:51,374
They would never be human.

1226
01:02:51,914 --> 01:02:54,008
I remind you that
is a type that as a child

1227
01:02:54,250 --> 01:02:57,277
<i>he saw them lynching
to two black men.</i>

1228
01:03:04,427 --> 01:03:05,451
<i>As a child.</i>

1229
01:03:07,897 --> 01:03:08,956
<i>To two businessmen.</i>

1230
01:03:11,267 --> 01:03:13,327
They hanged them.
That's when he left...

1231
01:03:14,937 --> 01:03:15,836
<i>...to Georgia.</i>

1232
01:03:22,111 --> 01:03:23,841
<i>He did not allow
whites will enter the house.</i>

1233
01:03:25,281 --> 01:03:27,147
Like the people who come
and sells you insurance

1234
01:03:27,316 --> 01:03:29,182
and it should be there,
but if a white person

1235
01:03:29,352 --> 01:03:31,981
knocked on the door
and I wanted to sell something...

1236
01:03:35,591 --> 01:03:37,389
My mother opened the door for him,
I talked to him

1237
01:03:37,960 --> 01:03:39,121
and gave him something to eat.

1238
01:03:41,997 --> 01:03:43,124
Not my father.

1239
01:03:44,633 --> 01:03:46,625
<i>She judged people one by one,</i>

1240
01:03:47,002 --> 01:03:48,493
<i>he didn't care what color it was.</i>

1241
01:03:48,604 --> 01:03:50,038
It was something personal for her.

1242
01:03:52,341 --> 01:03:53,400
<i>And then I have...</i>

1243
01:03:54,377 --> 01:03:55,970
<i>...a very strong memory.</i>

1244
01:03:56,512 --> 01:03:58,378
<i>I was trying to describe</i>

1245
01:03:58,547 --> 01:04:00,345
<i>something that happened
in a book I wrote

1246
01:04:00,449 --> 01:04:01,439
<i>called</i> Paradise...

1247
01:04:01,550 --> 01:04:02,449
PARADISE
FOUND

1248
01:04:02,551 --> 01:04:04,884
<i>...where there is a community
of all blacks

1249
01:04:05,354 --> 01:04:06,982
<i>as opposed to all the others.</i>

1250
01:04:08,257 --> 01:04:10,123
Part of purity and power

1251
01:04:10,393 --> 01:04:13,989
and all the pride
of that black community

1252
01:04:14,530 --> 01:04:16,624
it is a species
of something flourishing

1253
01:04:16,932 --> 01:04:18,332
that my great-grandmother told.

1254
01:04:19,335 --> 01:04:22,169
<i>She was a midwife in Flint, Michigan.</i>

1255
01:04:23,205 --> 01:04:25,538
<i>He was coming to the city.</i>

1256
01:04:26,509 --> 01:04:29,911
<i>He entered the room
and all the men stopped.</i>

1257
01:04:30,646 --> 01:04:33,480
my sister and me
We were on the floor playing.

1258
01:04:34,016 --> 01:04:35,450
My mother was in the living room...

1259
01:04:36,385 --> 01:04:39,082
...and my great-grandmother came in
in the room with his cane,

1260
01:04:39,388 --> 01:04:41,948
He looked at my sister and me...

1261
01:04:43,359 --> 01:04:47,091
...and said: "These girls
"They have been manipulated."

1262
01:04:49,098 --> 01:04:51,329
I didn't really know what it meant
that at that time.

1263
01:04:52,535 --> 01:04:56,199
My mother didn't like it,
but she was very dark.

1264
01:04:57,039 --> 01:04:59,531
That is, what
They used to say "blue-black."

1265
01:05:01,277 --> 01:05:04,975
And he said that we
had been stained in a certain way

1266
01:05:05,648 --> 01:05:08,675
that we were... impure.

1267
01:05:10,419 --> 01:05:12,047
That's what he said.

1268
01:05:14,290 --> 01:05:16,020
ONLY WHITE

1269
01:05:16,225 --> 01:05:18,126
ENTRANCE FOR PEOPLE OF COLOR

1270
01:05:18,294 --> 01:05:20,627
WHITE. - COLORED

1271
01:05:22,598 --> 01:05:23,588
Two drinkers?

1272
01:05:25,234 --> 01:05:27,135
In a sense, I know it wasn't true,

1273
01:05:27,269 --> 01:05:30,171
but deep down,
I thought that segregation

1274
01:05:30,272 --> 01:05:31,740
and all this physical...

1275
01:05:32,074 --> 01:05:33,007
COLORED
WAITING ROOM

1276
01:05:33,142 --> 01:05:34,508
...it was... a joke.

1277
01:05:34,643 --> 01:05:36,168
ONLY FOR PEOPLE OF COLOR

1278
01:05:38,047 --> 01:05:39,572
ENTRANCE FOR PEOPLE OF COLOR

1279
01:05:43,285 --> 01:05:49,088
<i>To middle class white people
Black people bathed her.</i>

1280
01:05:50,459 --> 01:05:52,018
<i>In their bathtubs.</i>

1281
01:05:52,261 --> 01:05:54,287
And they ate their food.

1282
01:05:54,563 --> 01:05:57,055
They did everything
and couldn't they sit next to them?

1283
01:05:58,634 --> 01:06:01,502
I mean, it seemed very strange.

1284
01:06:02,705 --> 01:06:04,435
<i>It was true, but strange.</i>

1285
01:06:07,243 --> 01:06:11,044
<i>Especially for me
who came from a small town,

1286
01:06:11,547 --> 01:06:15,348
<i>in Ohio, where
everyone I knew,

1287
01:06:15,618 --> 01:06:19,214
<i>with whom I shopped, with
those who played were in a street

1288
01:06:19,388 --> 01:06:21,687
<i>on a playground
or in a school

1289
01:06:22,458 --> 01:06:24,552
<i>Full of people coming
from everywhere.</i>

1290
01:06:25,194 --> 01:06:26,321
<i>There were Mexicans.</i>

1291
01:06:27,096 --> 01:06:29,156
<i>There were many Italians.</i>

1292
01:06:29,598 --> 01:06:32,067
It was a melting pot.

1293
01:06:32,167 --> 01:06:33,294
It really was.

1294
01:06:34,637 --> 01:06:37,038
<i>It was very integrated,</i>

1295
01:06:37,373 --> 01:06:38,397
<i>when I opened a business...</i>

1296
01:06:38,507 --> 01:06:39,702
5-10-25 CENT STORE

1297
01:06:40,042 --> 01:06:42,409
<i>...my uncle or my mother were there
the first day,

1298
01:06:43,112 --> 01:06:48,073
sitting to make sure
that there was no segregation

1299
01:06:48,450 --> 01:06:51,113
unspoken, but real.

1300
01:06:51,287 --> 01:06:55,054
And no one ever told them
for them to leave there.

1301
01:06:55,224 --> 01:06:56,214
I never heard that.

1302
01:06:56,392 --> 01:06:59,328
When I went to Howard,
I was stunned.

1303
01:06:59,428 --> 01:07:01,294
The black students...

1304
01:07:02,264 --> 01:07:03,755
...they segregated themselves.

1305
01:07:05,067 --> 01:07:07,730
<i>I joined a sorority
because they asked me

1306
01:07:08,103 --> 01:07:09,537
<i>and they looked beautiful,
but I didn't know...</i>

1307
01:07:09,638 --> 01:07:10,606
ALPHA KAPPA ALFA BROTHERHOOD

1308
01:07:10,706 --> 01:07:13,403
...which was a brotherhood
that the light-skinned girls went.

1309
01:07:13,509 --> 01:07:15,171
And there was another brotherhood

1310
01:07:15,344 --> 01:07:16,471
to which all black women went.

1311
01:07:16,679 --> 01:07:17,612
Color tones.

1312
01:07:20,382 --> 01:07:23,841
<i>It was a horrible social scheme.</i>

1313
01:07:26,622 --> 01:07:29,319
I was surprised. I didn't know
what were they talking about

1314
01:07:29,658 --> 01:07:32,787
<i>because if you got on a bus,
You could see white people, colored people...</i>

1315
01:07:33,095 --> 01:07:33,755
COLORED

1316
01:07:33,862 --> 01:07:36,627
And I stole those posters
and sent them home to my mother.

1317
01:07:38,567 --> 01:07:40,729
<i>There was a department store</i>

1318
01:07:41,437 --> 01:07:42,803
where you could go to the bathroom.

1319
01:07:43,806 --> 01:07:46,332
And we all knew which one it was.
But in no more

1320
01:07:46,442 --> 01:07:48,741
they let you go to the bathroom
if you were black...

1321
01:07:49,345 --> 01:07:50,244
...or "colored."

1322
01:07:52,815 --> 01:07:57,185
<i>I remember that they compared me
with Ishmael Reed

1323
01:07:57,653 --> 01:07:59,281
<i>and Gayl Jones...</i>

1324
01:07:59,888 --> 01:08:02,722
<i>...three writers
which are very different...</i>

1325
01:08:03,759 --> 01:08:06,888
<i>...and the critics ended up deciding</i>

1326
01:08:07,229 --> 01:08:10,597
<i>which was more accurate</i>

1327
01:08:11,400 --> 01:08:12,595
<i>regarding life
of the blacks.</i>

1328
01:08:13,202 --> 01:08:15,501
and I was not
the one she had chosen.

1329
01:08:15,671 --> 01:08:17,799
I think he chose Gayl.

1330
01:08:18,173 --> 01:08:19,266
A NOVEL
BY TONI MORRISON

1331
01:08:19,375 --> 01:08:21,674
<i>This is the real black scene.</i>

1332
01:08:22,444 --> 01:08:26,347
<i>This is the middle class
or the real black lower class.</i>

1333
01:08:26,482 --> 01:08:27,643
A NOVEL
CORRECTOR

1334
01:08:27,750 --> 01:08:29,776
<i>That is not a literary observation</i>

1335
01:08:30,619 --> 01:08:33,384
<i>not at all. It is not
a literary point of view.</i>

1336
01:08:34,323 --> 01:08:36,349
And I think it has changed over time.

1337
01:08:36,859 --> 01:08:38,919
At first, it was terrifying.

1338
01:08:39,228 --> 01:08:41,823
I gotta tell you, but it's getting better.

1339
01:08:44,867 --> 01:08:49,271
There were people who wanted
Do your job for a ghetto.

1340
01:08:50,839 --> 01:08:53,274
<i>The debate was always
that black art

1341
01:08:53,442 --> 01:08:54,774
<i>it is a particular art.</i>

1342
01:08:55,277 --> 01:08:58,907
<i>The particularity of black art
has nothing to do with it

1343
01:08:59,248 --> 01:09:01,717
<i>with worries
elders of humanity.</i>

1344
01:09:02,518 --> 01:09:04,453
<i>Humanity has
have to be white.</i>

1345
01:09:05,287 --> 01:09:09,816
And then here there was
a work on particularity,

1346
01:09:10,225 --> 01:09:12,820
the specificity
of the black experience,

1347
01:09:13,295 --> 01:09:16,197
<i>but at the same time,
there was no question</i>

1348
01:09:16,498 --> 01:09:19,400
<i>about universal meaning.</i>

1349
01:09:20,302 --> 01:09:23,295
His work completely destroyed

1350
01:09:23,539 --> 01:09:26,475
the binary notion
of black writers

1351
01:09:26,675 --> 01:09:30,203
who were black writers who
they wrote for black communities

1352
01:09:30,379 --> 01:09:31,847
on black issues

1353
01:09:32,347 --> 01:09:35,215
or black writers
that were after the racial.

1354
01:09:38,887 --> 01:09:41,413
<i>You must place it in time.</i>

1355
01:09:42,791 --> 01:09:45,226
<i>People knew that
Toni Morrison was writing.</i>

1356
01:09:45,394 --> 01:09:47,761
I didn't know what to do
with what he wrote about.

1357
01:09:47,963 --> 01:09:50,262
Is it important? Yes,

1358
01:09:50,365 --> 01:09:52,698
is writing about black people,
maybe it's not important.

1359
01:09:52,835 --> 01:09:54,804
Then people started
to consume Toni Morrison.

1360
01:09:55,237 --> 01:09:57,797
And people started talking
of her abroad.

1361
01:09:58,240 --> 01:10:01,267
And then we start teaching it
also at the university.

1362
01:10:01,510 --> 01:10:03,706
And as a consequence,
They had to pay attention.

1363
01:10:06,248 --> 01:10:08,843
<i>I was traveling by train
From Princeton to New York

1364
01:10:09,485 --> 01:10:10,783
<i>and I had Sula with me.

1365
01:10:11,420 --> 01:10:14,982
I went to the carriage where
There is the cafeteria and there was a line.

1366
01:10:15,824 --> 01:10:19,625
<i>By chance, I was behind
of an older African American woman.</i>

1367
01:10:20,796 --> 01:10:23,391
I don't know what made me do this,
but I decided

1368
01:10:23,766 --> 01:10:26,793
that would begin to show him <i>Sula,</i>

1369
01:10:27,369 --> 01:10:29,429
<i>just to see if we could
start a conversation.</i>

1370
01:10:29,805 --> 01:10:31,967
That is, I did not lift it,
but somehow

1371
01:10:32,274 --> 01:10:33,367
I made it visible.

1372
01:10:33,542 --> 01:10:35,340
He looked at me...
I will never forget this.

1373
01:10:35,444 --> 01:10:36,503
He looked at me,

1374
01:10:36,945 --> 01:10:38,641
He looked at his wallet again,

1375
01:10:38,814 --> 01:10:40,373
he looked at me again,
opened his wallet

1376
01:10:40,482 --> 01:10:41,609
and he brought out <i>Song of Solomon.</i>

1377
01:10:41,784 --> 01:10:44,845
SONG OF SOLOMON
A NOVEL BY TONI MORRISON 1977

1378
01:10:45,020 --> 01:10:46,682
<i>He surpassed me with</i> Song of Solomon.

1379
01:10:46,855 --> 01:10:48,448
And I told him:
"Do you read Toni too?"

1380
01:10:48,590 --> 01:10:50,388
He said, “Yes. You know,

1381
01:10:50,559 --> 01:10:52,858
This is very difficult to read,

1382
01:10:53,328 --> 01:10:56,389
but for some reason,
"I can't leave it."

1383
01:10:56,865 --> 01:10:58,060
I had not written
nothing I had

1384
01:10:58,801 --> 01:11:02,897
a man as the main character
or two main characters,

1385
01:11:03,071 --> 01:11:04,835
but my father died...

1386
01:11:06,575 --> 01:11:10,410
<i>...and I had a reaction
very strong negative</i>

1387
01:11:10,579 --> 01:11:12,047
<i>with the world
after his death.</i>

1388
01:11:13,849 --> 01:11:16,944
And I couldn't even go home
for three years

1389
01:11:18,320 --> 01:11:19,754
<i>because he wasn't there.</i>

1390
01:11:26,995 --> 01:11:30,090
<i>I remember sitting
saying he didn't know...</i>

1391
01:11:31,400 --> 01:11:32,663
<i>...what did my father know...</i>

1392
01:11:33,635 --> 01:11:34,762
<i>...about these men.</i>

1393
01:11:36,371 --> 01:11:38,704
<i>But I felt comfortable
writing about them,</i>

1394
01:11:38,807 --> 01:11:40,469
<i>knowing about them,</i>

1395
01:11:40,676 --> 01:11:43,373
<i>because my father told me so.</i>

1396
01:11:44,546 --> 01:11:45,809
<i>He told me so.</i>

1397
01:11:47,115 --> 01:11:49,016
<i>I was not receiving any signal.</i>

1398
01:11:49,518 --> 01:11:53,080
There was no ghost
that used to accompany me.

1399
01:11:54,022 --> 01:11:55,923
But I knew what he told me...

1400
01:11:57,059 --> 01:11:58,083
...if it started.

1401
01:11:59,561 --> 01:12:01,120
<i>Now I have an inner voice.</i>

1402
01:12:03,632 --> 01:12:05,396
<i>His canvas was getting bigger.</i>

1403
01:12:06,068 --> 01:12:09,038
In Blue Eyes,
<i>had beautifully restrained</i>

1404
01:12:09,538 --> 01:12:12,565
<i>the world to the universe
of young girls.</i>

1405
01:12:13,775 --> 01:12:15,710
In Sula, <i>he had restricted the world</i>

1406
01:12:15,878 --> 01:12:19,007
<i>to a very complete landscape of women.</i>

1407
01:12:19,815 --> 01:12:22,842
And in <i>Song of Solomon,</i>
had included both sexes

1408
01:12:23,085 --> 01:12:25,816
and the world was getting bigger

1409
01:12:25,988 --> 01:12:28,116
<i>for the metaphors that flew.</i>

1410
01:12:38,967 --> 01:12:42,062
<i>But I had always heard
that there were Africans

1411
01:12:42,471 --> 01:12:44,463
<i>who had been enslaved,</i>

1412
01:12:44,740 --> 01:12:47,175
<i>but some could fly.</i>

1413
01:12:48,076 --> 01:12:51,843
And they took flight
and they went home.

1414
01:12:54,449 --> 01:12:56,441
<i>The story
of the flying Africans

1415
01:12:56,618 --> 01:12:59,019
<i>it is something that spread
In African traditions,

1416
01:12:59,421 --> 01:13:01,447
but it is all over the world.
And the idea here is

1417
01:13:01,657 --> 01:13:04,957
that human beings
They must find spiritual allies.

1418
01:13:05,427 --> 01:13:07,692
<i>People have developed
these dreams and these stories

1419
01:13:08,096 --> 01:13:09,792
<i>in which you can transcend
the suffering

1420
01:13:09,965 --> 01:13:11,797
<i>of your community flying.</i>

1421
01:13:12,935 --> 01:13:14,130
<i>As we look at our ancestors,</i>

1422
01:13:15,003 --> 01:13:18,804
and value their songs and stories,
this is one of the ways

1423
01:13:19,675 --> 01:13:21,473
to deal with
with the terror of history.

1424
01:13:22,044 --> 01:13:23,774
<i>And what happens in the novel,</i>

1425
01:13:24,479 --> 01:13:27,745
<i>Milkman discovers
that his ancestor flew...</i>

1426
01:13:28,850 --> 01:13:30,682
<i>...he left here and flew.</i>

1427
01:13:33,522 --> 01:13:34,683
«The twilight grew denser

1428
01:13:35,057 --> 01:13:37,151
and everything around him
It was getting dark.

1429
01:13:37,960 --> 01:13:39,952
I knew there wouldn't be another mistake.

1430
01:13:40,462 --> 01:13:41,987
But when he stood up,
Guitar tried

1431
01:13:42,164 --> 01:13:43,188
blow his head off.

1432
01:13:43,999 --> 01:13:44,989
He stood up.

1433
01:13:45,934 --> 01:13:48,233
'Guitar!' he shouted.

1434
01:13:48,971 --> 01:13:52,567
'Tar, tar, tar', said the hills.

1435
01:13:52,941 --> 01:13:55,809
<i>'Here, brother.
Do you see me?'.</i>

1436
01:13:56,244 --> 01:13:57,872
<i>Milkman covered his mouth
with one hand

1437
01:13:58,046 --> 01:13:59,514
<i>and he waved the other one over his head.</i>

1438
01:13:59,781 --> 01:14:04,242
'Here I am!'
'I am, I am, I am',

1439
01:14:04,853 --> 01:14:06,947
said the rocks. 'Do you love me?

1440
01:14:07,222 --> 01:14:09,020
Hey? Do you want my life?

1441
01:14:09,825 --> 01:14:12,954
Life, life, life «».

1442
01:14:14,496 --> 01:14:16,965
<i>Yes, the ending was difficult</i>

1443
01:14:17,132 --> 01:14:20,694
<i>for some readers
because it was not explicit.</i>

1444
01:14:20,969 --> 01:14:24,133
<i>These are men
with a very close relationship

1445
01:14:24,906 --> 01:14:26,807
<i>and they were on opposite sides</i>

1446
01:14:27,242 --> 01:14:30,508
in politics and other things,
and they became enemies.

1447
01:14:32,147 --> 01:14:34,878
<i>One chases the other, tracks him.</i>

1448
01:14:35,951 --> 01:14:38,284
<i>One of them who has a gun...</i>

1449
01:14:39,187 --> 01:14:40,849
...put down the weapon.

1450
01:14:41,957 --> 01:14:44,722
<i>"He put the rifle
on the ground and got up.</i>

1451
01:14:45,227 --> 01:14:47,822
Milkman stopped waving his hand
and narrowed his eyes.

1452
01:14:48,096 --> 01:14:49,997
could see the head
Guitar and shoulders

1453
01:14:50,165 --> 01:14:52,566
in the dark. 'Do you want my life?'

1454
01:14:53,135 --> 01:14:57,072
Milkman wasn't yelling now.
'Do you need it? Here'.

1455
01:14:57,706 --> 01:15:00,676
Without wiping away the tears,
nor breathe deeply

1456
01:15:00,976 --> 01:15:03,912
nor bend your knees,
jumped

1457
01:15:04,646 --> 01:15:08,276
as fast as the North Star.

1458
01:15:09,017 --> 01:15:12,317
He headed towards Guitar
and it didn't matter

1459
01:15:12,687 --> 01:15:14,918
which of them would end

1460
01:15:15,157 --> 01:15:17,558
in the murderous arms of his brother.

1461
01:15:18,060 --> 01:15:21,121
Since now I knew
what Shalimar knew...

1462
01:15:22,164 --> 01:15:23,962
If you surrender to the air...

1463
01:15:25,133 --> 01:15:26,294
...you could ride it.

1464
01:15:29,671 --> 01:15:32,835
<i>The friend jumps towards him...</i>

1465
01:15:33,809 --> 01:15:35,300
<i>...and that is the flight...</i>

1466
01:15:36,945 --> 01:15:41,007
...in his brother's arms.

1467
01:15:42,350 --> 01:15:46,253
Instead of shedding blood,

1468
01:15:46,955 --> 01:15:48,924
blood joins.

1469
01:15:49,891 --> 01:15:51,189
Through the art of flying.

1470
01:15:52,360 --> 01:15:55,626
And it seemed to me that
The writing was extraordinary.

1471
01:15:55,931 --> 01:15:58,025
different, radical and beautiful.

1472
01:15:58,200 --> 01:16:00,328
That's what I thought.
I didn't think

1473
01:16:00,702 --> 01:16:02,102
that there would be many people

1474
01:16:02,204 --> 01:16:07,199
who shared this point of view.
So I was never convinced

1475
01:16:07,342 --> 01:16:08,867
that it would have many readers.

1476
01:16:09,044 --> 01:16:10,307
<i>When that changed</i>

1477
01:16:10,679 --> 01:16:12,113
<i>and changed with</i> Song of Solomon,

1478
01:16:12,314 --> 01:16:15,250
<i>that was a commercial success,
and I was fascinated.</i>

1479
01:16:15,650 --> 01:16:17,846
<i>That's when I called
writer. I used the tag.</i>

1480
01:16:17,953 --> 01:16:19,922
«THE MOST IMPORTANT FICTION
FROM THE INVISIBLE MAN.

1481
01:16:20,021 --> 01:16:21,319
<i>And what had preceded was</i>

1482
01:16:21,690 --> 01:16:23,659
that I was an unhappy woman

1483
01:16:23,825 --> 01:16:25,851
that I couldn't say,
like the big boys:

1484
01:16:26,027 --> 01:16:27,120
"I am a writer."

1485
01:16:27,362 --> 01:16:29,888
I always said that I am
a teacher who writes

1486
01:16:30,298 --> 01:16:31,994
or an editor who writes.

1487
01:16:32,367 --> 01:16:34,233
But I never said the real thing

1488
01:16:34,703 --> 01:16:36,137
see you later
to write the third book.

1489
01:16:36,638 --> 01:16:39,005
It's the kind of thing that
we women usually do.

1490
01:16:39,241 --> 01:16:41,710
We need permission
to tell ourselves

1491
01:16:41,843 --> 01:16:43,072
that this is
the work we do.

1492
01:16:46,848 --> 01:16:49,283
<i>One day we were talking,
and I said: «You know, Toni?</i>

1493
01:16:49,885 --> 01:16:51,820
It's time for you to quit
to your work.

1494
01:16:52,954 --> 01:16:56,015
you must admit

1495
01:16:56,258 --> 01:17:00,093
and tell our world:
'I am a writer.

1496
01:17:00,729 --> 01:17:04,063
I don't have time or psychic energy

1497
01:17:04,399 --> 01:17:05,867
to continue doing
both "".

1498
01:17:15,310 --> 01:17:17,302
<i>I started writing full time</i>

1499
01:17:17,712 --> 01:17:20,307
<i>as a writer in this place.</i>

1500
01:17:22,017 --> 01:17:23,246
I went out to the dock...

1501
01:17:24,319 --> 01:17:25,787
<i>...which is outside.</i>

1502
01:17:27,355 --> 01:17:31,190
<i>I was sitting there
with a very strange sensation.</i>

1503
01:17:33,261 --> 01:17:35,992
<i>I didn't know what it was.
I was a little dizzy.</i>

1504
01:17:37,132 --> 01:17:39,101
<i>And then I realized</i>

1505
01:17:39,768 --> 01:17:40,963
that I was very happy...

1506
01:17:42,737 --> 01:17:43,705
...and free.

1507
01:17:44,472 --> 01:17:47,135
I've never felt like this,

1508
01:17:48,143 --> 01:17:52,774
<i>with that level of freedom
and intense happiness.</i>

1509
01:18:00,455 --> 01:18:02,219
BLACK MAGIC

1510
01:18:02,457 --> 01:18:03,755
NOVELIST TONI MORRISON

1511
01:18:05,193 --> 01:18:06,991
<i>The important thing about my book</i>

1512
01:18:07,162 --> 01:18:09,859
<i>as for the critics</i>

1513
01:18:10,332 --> 01:18:11,493
<i>it was because he was black.</i>

1514
01:18:12,734 --> 01:18:14,066
<i>So they were talking about that.</i>

1515
01:18:14,169 --> 01:18:15,193
BLACK MAGIC BY TONI MORRISON

1516
01:18:15,337 --> 01:18:17,169
THE SOUND AND THE FURY:
TONI MORRISON

1517
01:18:17,305 --> 01:18:19,206
<i>I know you're fed up
of being tagged,</i>

1518
01:18:19,307 --> 01:18:21,367
<i>I would think: a black writer?</i>

1519
01:18:21,743 --> 01:18:23,974
- I like it. I prefer it.
- Doesn't it bother you?

1520
01:18:24,145 --> 01:18:25,078
At all.

1521
01:18:25,213 --> 01:18:26,977
I thought you were sick of it.

1522
01:18:27,382 --> 01:18:29,908
I'm tired of people
I asked myself.

1523
01:18:30,051 --> 01:18:32,486
Yes of course.

1524
01:18:33,355 --> 01:18:35,324
- That's what I meant, of course.
- Know?

1525
01:18:36,057 --> 01:18:37,423
It's like being told
French writer.

1526
01:18:37,525 --> 01:18:38,891
How can you get tired?

1527
01:18:39,027 --> 01:18:40,290
Sure. Yes. A black writer,

1528
01:18:40,395 --> 01:18:43,365
- it's a double label.
- I am all those things.

1529
01:18:43,465 --> 01:18:46,094
"And we know... what to expect from her."

1530
01:18:46,301 --> 01:18:48,327
But sometimes it's pejorative
and people say:

1531
01:18:48,503 --> 01:18:50,335
«It's a good book
to be a black writer,

1532
01:18:50,772 --> 01:18:52,172
- or for...».
- Yes...

1533
01:18:52,374 --> 01:18:54,002
Then, of course, you hear...

1534
01:18:54,109 --> 01:18:55,338
- "Isn't she beautiful beyond her years?"
- Yes.

1535
01:18:58,246 --> 01:19:01,410
<i>You don't want to be a character
from a novel by Toni Morrison</i>

1536
01:19:01,783 --> 01:19:03,945
<i>because he is writing
something that destroys everything.</i>

1537
01:19:05,086 --> 01:19:07,920
<i>People take on all the suffering</i>

1538
01:19:08,223 --> 01:19:10,954
that has created us
and has made us so beautiful.

1539
01:19:11,326 --> 01:19:13,227
But to be this beautiful,

1540
01:19:13,795 --> 01:19:16,560
<i>you have to go through a lot,</i>

1541
01:19:16,965 --> 01:19:18,934
by people who rape you, stab you,

1542
01:19:19,034 --> 01:19:23,335
attacks you with his dogs
and your mother destroys you.

1543
01:19:24,172 --> 01:19:25,834
<i>Who would want to lead that life?</i>

1544
01:19:26,941 --> 01:19:30,275
The life I want to lead
It is a beautiful and boring novel,

1545
01:19:30,445 --> 01:19:32,038
where you live on the river bank,

1546
01:19:32,213 --> 01:19:35,149
you fish a little
and then a beautiful mermaid

1547
01:19:35,317 --> 01:19:37,081
He comes out and talks to me.

1548
01:19:37,252 --> 01:19:39,050
That's my novel.
If I have to live it.

1549
01:19:39,387 --> 01:19:40,946
I will read the one by Toni Morrison,

1550
01:19:41,056 --> 01:19:42,217
but I won't live it.

1551
01:19:49,564 --> 01:19:51,055
<i>I saw a woman...</i>

1552
01:19:52,133 --> 01:19:53,101
<i>...fully dressed...</i>

1553
01:19:54,469 --> 01:19:55,960
<i>...leaving the river...</i>

1554
01:19:56,838 --> 01:19:57,999
<i>...in front of my house...</i>

1555
01:19:59,374 --> 01:20:00,842
<i>...and sat down.</i>

1556
01:20:02,043 --> 01:20:03,067
<i>He was wearing a hat.</i>

1557
01:20:04,346 --> 01:20:06,941
<i>And I was at my desk
writing and looking at it.</i>

1558
01:20:08,383 --> 01:20:10,249
She didn't look at me.

1559
01:20:11,586 --> 01:20:12,986
Then he disappeared.

1560
01:20:13,388 --> 01:20:17,052
And then I knew
That was the solution...

1561
01:20:17,625 --> 01:20:19,287
...for a book
what I was writing...

1562
01:20:20,061 --> 01:20:22,223
...about a dead girl
Called Beloved.

1563
01:20:42,517 --> 01:20:44,213
<i>The history of slavery</i>

1564
01:20:44,452 --> 01:20:47,217
<i>it's usually the story
of black men

1565
01:20:47,622 --> 01:20:49,022
<i>enslaved...</i>

1566
01:20:50,358 --> 01:20:51,451
<i>...that escape...</i>

1567
01:20:52,560 --> 01:20:53,892
<i>...and they become free...</i>

1568
01:20:55,163 --> 01:20:57,291
<i>...or they die and do not become free.</i>

1569
01:20:59,467 --> 01:21:03,370
That's the classic story
of black slaves.

1570
01:21:03,605 --> 01:21:08,600
And something that was not part
of slave history

1571
01:21:09,010 --> 01:21:10,239
It was a woman.

1572
01:21:21,523 --> 01:21:23,458
<i>I don't want to say
that there were no narratives</i>

1573
01:21:23,925 --> 01:21:25,450
<i>let the slave women tell...</i>

1574
01:21:26,361 --> 01:21:28,057
<i>...or that there was not
information about it.</i>

1575
01:21:28,163 --> 01:21:30,655
That is, it was not
narrative in literature.

1576
01:21:31,032 --> 01:21:33,627
My effort in saying
that <i>Beloved</i> did it...

1577
01:21:34,936 --> 01:21:37,701
<i>...when talking about a woman
who has to make decisions...</i>

1578
01:21:38,706 --> 01:21:40,971
<i>...about slavery, motherhood,</i>

1579
01:21:41,309 --> 01:21:44,438
<i>love, parenting...</i>

1580
01:21:45,480 --> 01:21:49,110
<i>...which had nothing to do with
with being a victim.</i>

1581
01:21:50,552 --> 01:21:52,453
A real woman,
a historical figure

1582
01:21:52,620 --> 01:21:53,679
in fact...

1583
01:21:54,622 --> 01:21:58,320
...that he was nothing more than a victim.

1584
01:21:59,027 --> 01:22:01,690
This is a woman who said:
«These children are mine.

1585
01:22:04,132 --> 01:22:05,566
"I can do whatever I want with them."

1586
01:22:12,140 --> 01:22:13,164
A NOVEL
TONI MORRISON

1587
01:22:13,308 --> 01:22:16,472
<i>When Toni Morrison</i>
<i>published</i> Beloved,

1588
01:22:17,212 --> 01:22:21,172
it was a point
extraordinary turning

1589
01:22:21,649 --> 01:22:24,312
in the history of this country

1590
01:22:24,486 --> 01:22:26,478
and I would say in the history of the world.

1591
01:22:27,555 --> 01:22:32,016
<i>Because she urged us to imagine</i>

1592
01:22:32,293 --> 01:22:36,321
<i>people who were slaves
as human beings,

1593
01:22:36,998 --> 01:22:39,433
individuals with subjectivity...

1594
01:22:40,668 --> 01:22:44,730
<i>...that they also loved
and they had imagination

1595
01:22:45,673 --> 01:22:47,574
even while they were victims

1596
01:22:47,742 --> 01:22:51,201
of the ways
of repression most horrendous.

1597
01:22:53,748 --> 01:22:57,310
<i>We can never think
in slavery in the same way.</i>

1598
01:22:59,521 --> 01:23:02,582
<i>Toni uses history
and has a deep understanding

1599
01:23:02,790 --> 01:23:05,453
<i>of American history.
That's a tool for her.</i>

1600
01:23:06,661 --> 01:23:09,187
<i>First and foremost,
She is a narrative artist,

1601
01:23:09,397 --> 01:23:11,332
<i>and use biographies,
newspaper clippings...</i>

1602
01:23:11,466 --> 01:23:12,399
RUSSELL BANKS
AUTHOR

1603
01:23:12,534 --> 01:23:14,264
...whatever comes your way.

1604
01:23:15,169 --> 01:23:17,729
<i>It is the material that you then use</i>

1605
01:23:18,106 --> 01:23:21,474
<i>to transform it into literary art.</i>

1606
01:23:27,248 --> 01:23:30,309
Beloved <i>was a great event.</i>

1607
01:23:31,619 --> 01:23:33,383
Somehow, it crystallized...

1608
01:23:34,622 --> 01:23:38,184
...the past for African Americans,

1609
01:23:39,093 --> 01:23:40,254
the worst of the past...

1610
01:23:41,195 --> 01:23:43,096
...and also the strength of the past.

1611
01:23:43,364 --> 01:23:45,230
His heroism, his inner heroism,

1612
01:23:45,400 --> 01:23:48,734
and your ability to survive
and prevail

1613
01:23:49,304 --> 01:23:51,432
It is wonderful and moving.

1614
01:23:54,809 --> 01:23:58,405
<i>Yes, it concentrates on one part
horrible part of US history</i>

1615
01:23:59,447 --> 01:24:01,507
But it doesn't seem to me that it is
a historical work.

1616
01:24:02,317 --> 01:24:04,286
I see it as a work
through which,

1617
01:24:04,619 --> 01:24:07,179
if we choose,
We can look at our history.

1618
01:24:09,324 --> 01:24:12,488
She is realistic. Look in the face...

1619
01:24:13,261 --> 01:24:14,786
...of historical suffering

1620
01:24:15,496 --> 01:24:19,160
of African Americans
and look inside your body and soul,

1621
01:24:19,500 --> 01:24:21,526
and find a language
to describe that.

1622
01:24:24,672 --> 01:24:26,402
<i>He took this experience from a town</i>

1623
01:24:26,608 --> 01:24:28,338
<i>that had been demoted.</i>

1624
01:24:29,410 --> 01:24:31,675
<i>And he showed that this was the experience</i>

1625
01:24:31,846 --> 01:24:34,145
<i>of a world historic town...</i>

1626
01:24:36,117 --> 01:24:38,313
...like the Hebrews
of the Old Testament,

1627
01:24:38,486 --> 01:24:39,545
<i>like the Greeks</i>

1628
01:24:39,754 --> 01:24:42,223
<i>that existed
the same type of drama,

1629
01:24:42,523 --> 01:24:46,824
love, passion and hate there.

1630
01:24:49,764 --> 01:24:51,357
<i>One of the things I learned from Toni,</i>

1631
01:24:51,532 --> 01:24:53,592
<i>one of the things
that really changed me

1632
01:24:53,868 --> 01:24:59,671
It made me sensitive when I saw
the story beneath the story.

1633
01:25:03,578 --> 01:25:05,843
<i>This is how the USA has existed</i>

1634
01:25:06,614 --> 01:25:07,912
<i>from the beginning.</i>

1635
01:25:08,549 --> 01:25:10,643
There is the official story.
There is a press release...

1636
01:25:10,752 --> 01:25:12,550
COMPOSER
MARGARET GARNER OPERA

1637
01:25:12,654 --> 01:25:14,452
...and then there is the truth.

1638
01:25:23,498 --> 01:25:27,299
<i>Margaret Garner
She was an African American woman.

1639
01:25:27,468 --> 01:25:28,834
<i>born into slavery</i>

1640
01:25:29,337 --> 01:25:32,239
in a plantation
in northern Kentucky.

1641
01:25:34,442 --> 01:25:36,570
<i>In the 1850s,</i>

1642
01:25:36,778 --> 01:25:39,646
<i>crossed the frozen Ohio River</i>

1643
01:25:39,881 --> 01:25:42,316
<i>with hope
to find a refuge

1644
01:25:42,517 --> 01:25:44,611
<i>through the system
of Clandestine Train.</i>

1645
01:25:46,454 --> 01:25:49,947
<i>The owner of the plantation found it
after a couple of weeks</i>

1646
01:25:50,491 --> 01:25:54,553
<i>and instead of returning
obediently,

1647
01:25:54,896 --> 01:25:57,889
<i>he cut the throat of his eldest son</i>

1648
01:25:58,700 --> 01:26:00,362
<i>and on the return trip,</i>

1649
01:26:00,535 --> 01:26:03,300
<i>tried to drown herself
and his youngest son.</i>

1650
01:26:03,738 --> 01:26:06,572
<i>The boy drowned and she survived.</i>

1651
01:26:08,710 --> 01:26:09,734
The discussions...

1652
01:26:10,878 --> 01:26:13,712
...in his audience
they had to do with knowing

1653
01:26:14,315 --> 01:26:16,750
whether she should be charged with murder

1654
01:26:16,951 --> 01:26:19,511
<i>or destruction of property.</i>

1655
01:26:20,922 --> 01:26:23,391
<i>Because, if they blamed her for homicide,</i>

1656
01:26:23,791 --> 01:26:25,987
the nation would have to recognize

1657
01:26:26,360 --> 01:26:28,659
that she and her children were human.

1658
01:26:30,732 --> 01:26:33,896
<i>The story behind</i> Beloved is
<i>a small newspaper article</i>

1659
01:26:34,001 --> 01:26:35,993
<i>which appeared in the early years
of abolitionists...</i>

1660
01:26:36,304 --> 01:26:37,738
SLAVE ARREST
SLAVE KILLS SON...

1661
01:26:37,839 --> 01:26:38,738
<i>...by Margaret Garner.</i>

1662
01:26:39,741 --> 01:26:42,006
<i>He discovered that in the 70s</i>

1663
01:26:42,376 --> 01:26:44,277
<i>and he kept it in his head.</i>

1664
01:26:44,946 --> 01:26:47,415
He said: "I didn't investigate
beyond that article

1665
01:26:47,582 --> 01:26:50,677
because I didn't want to write a book
about Margaret Garner.

1666
01:26:50,785 --> 01:26:52,754
I wanted to use that incident

1667
01:26:52,954 --> 01:26:56,447
as a means of entry
in a woman's world

1668
01:26:56,891 --> 01:26:59,486
<i>that did something
like Margaret Garner did.</i>

1669
01:27:01,829 --> 01:27:04,526
Toni takes that and writes it to us

1670
01:27:04,999 --> 01:27:06,729
So we're all in that barn,

1671
01:27:07,535 --> 01:27:09,629
in the horrible decision
that she takes.

1672
01:27:09,871 --> 01:27:12,602
And it's about this decision
that the mother takes.

1673
01:27:16,744 --> 01:27:18,975
<i>"The four headed to the stable.</i>

1674
01:27:19,480 --> 01:27:24,578
<i>Inside, two boys
They bled in the sawdust and grime

1675
01:27:24,919 --> 01:27:26,581
<i>at the feet of a black woman</i>

1676
01:27:26,954 --> 01:27:30,982
<i>which he held with one hand and against his
chest to a child soaked in blood,</i>

1677
01:27:31,592 --> 01:27:33,652
<i>and with the other, he held
to a child by the heels.</i>

1678
01:27:34,829 --> 01:27:38,425
<i>It immediately became clear,
especially for the teacher,</i>

1679
01:27:38,933 --> 01:27:40,595
<i>that there was nothing to claim there.</i>

1680
01:27:40,968 --> 01:27:42,937
<i>The three, now four,</i>

1681
01:27:43,371 --> 01:27:45,670
<i>because I had one on the way
when he cut it,</i>

1682
01:27:46,040 --> 01:27:49,374
<i>blacks who had wanted
that they were alive and well

1683
01:27:49,677 --> 01:27:51,339
<i>to return them to Kentucky,</i>

1684
01:27:51,746 --> 01:27:55,478
<i>return them and raise them properly
to do the job that Sweet Home</i>

1685
01:27:55,650 --> 01:27:57,676
I desperately needed
They weren't.</i>

1686
01:27:58,619 --> 01:28:01,384
<i>Two lay with their eyes open
in the sawdust,

1687
01:28:01,889 --> 01:28:05,621
<i>a third was bleeding
for the principal's dress,</i>

1688
01:28:06,494 --> 01:28:08,895
<i>the woman whose master
he flaunted,

1689
01:28:09,530 --> 01:28:12,932
<i>what he said he did
good ink and good soup,</i>

1690
01:28:13,534 --> 01:28:15,469
<i>and ironed their collars
as he liked,</i>

1691
01:28:15,837 --> 01:28:19,433
<i>and who also had left
at least ten fertile years.</i>

1692
01:28:20,041 --> 01:28:21,634
<i>But now, she had gone mad.</i>

1693
01:28:24,378 --> 01:28:26,938
<i>The question in the article
from the newspaper,

1694
01:28:27,048 --> 01:28:28,949
a reproduction of which
It was in <i>The Black Book</i>

1695
01:28:29,050 --> 01:28:30,416
<i>that I had published.</i>

1696
01:28:31,118 --> 01:28:33,087
<i>It was the big question
about what to do with it.</i>

1697
01:28:33,387 --> 01:28:34,855
VISIT TO THE SLAVE
WHO KILLED HIS SON

1698
01:28:34,956 --> 01:28:37,585
The only person who really
should answer the question

1699
01:28:38,125 --> 01:28:39,616
and would really know...

1700
01:28:41,028 --> 01:28:42,621
<i>...it would be the dead daughter.</i>

1701
01:28:44,632 --> 01:28:46,396
<i>And she had already appeared...</i>

1702
01:28:47,735 --> 01:28:48,828
...fully dressed...

1703
01:28:50,438 --> 01:28:51,497
...with a beautiful hat...

1704
01:28:52,707 --> 01:28:53,697
<i>...coming out of the water.</i>

1705
01:28:56,077 --> 01:29:00,708
<i>So he behaved
How would a child behave?

1706
01:29:02,083 --> 01:29:05,850
<i>if your mother
I would have cut his throat.</i>

1707
01:29:08,155 --> 01:29:10,056
You loved your mother.

1708
01:29:12,026 --> 01:29:13,085
you loved her,

1709
01:29:13,461 --> 01:29:15,760
but at the same time
You wanted to punish her.

1710
01:29:20,067 --> 01:29:22,036
<i>This is the gift of a novel.</i>

1711
01:29:22,870 --> 01:29:23,963
<i>No other form of art</i>

1712
01:29:24,138 --> 01:29:27,700
<i>allows us to enter
and therefore dignify

1713
01:29:27,909 --> 01:29:31,505
the inner life of another
human being with so much detail,

1714
01:29:31,746 --> 01:29:33,806
and allows us to experiment
the inner life

1715
01:29:33,981 --> 01:29:36,849
of another human being,
the secret life inside,

1716
01:29:37,852 --> 01:29:40,617
<i>what does that person feel.</i>

1717
01:29:41,022 --> 01:29:41,955
<i>Not your opinions...</i>

1718
01:29:42,790 --> 01:29:45,817
...nor their social conditions,
But how did you feel?

1719
01:29:46,460 --> 01:29:47,621
<i>be that person?</i>

1720
01:29:48,829 --> 01:29:50,764
Beloved, <i>for example,</i>
<i>allows us to feel</i>

1721
01:29:51,098 --> 01:29:53,727
<i>what it is like to be Sethe, the mother.</i>

1722
01:29:55,069 --> 01:29:57,061
<i>It allows us to give that life,</i>

1723
01:29:57,471 --> 01:29:59,838
<i>and lives like hers, respect,</i>

1724
01:30:00,207 --> 01:30:01,675
<i>dignity.</i>

1725
01:30:03,544 --> 01:30:04,978
I just came back
to read it for the first time

1726
01:30:05,079 --> 01:30:06,138
since we published it.

1727
01:30:06,580 --> 01:30:09,072
and I thought I would like it
reread <i>Beloved.</i>

1728
01:30:09,684 --> 01:30:12,153
I almost never read again
the books I edited

1729
01:30:12,520 --> 01:30:14,682
because I'm always afraid
that I don't like them so much.

1730
01:30:14,889 --> 01:30:16,050
And he left me...

1731
01:30:17,625 --> 01:30:20,493
...perplexed again,
shocked and horrified.

1732
01:30:20,728 --> 01:30:23,129
And as I told Toni:
«It's not just the content,

1733
01:30:23,564 --> 01:30:26,796
so moving, strange and complicated,

1734
01:30:27,068 --> 01:30:29,731
but it is also
armed brilliantly.

1735
01:30:30,237 --> 01:30:33,765
Your strategies
and tactics are wonderful.

1736
01:30:34,175 --> 01:30:36,974
I wish I took the credit,
but I have no merit.

1737
01:30:37,244 --> 01:30:40,476
<i>It is a book constructed
wonderfully good

1738
01:30:40,815 --> 01:30:42,943
<i>and there is also
wonderfully well written.</i>

1739
01:30:44,652 --> 01:30:46,712
Sethe. - Halle
Howard. - Faustine. - Buglar. - NO...

1740
01:30:46,854 --> 01:30:48,823
<i>Her mind is structural.</i>

1741
01:30:51,759 --> 01:30:54,251
Cold Room. - Deposit
Bathtubs -K Room -Kitchen

1742
01:30:54,562 --> 01:30:56,155
1 Stamp with funeral
2 Stamp on street and tape

1743
01:30:56,263 --> 01:30:58,732
<i>You never knew how I was going to do it.</i>

1744
01:30:58,866 --> 01:31:00,129
3 Stamp with Her 4 Stamp 1

1745
01:31:00,935 --> 01:31:03,268
<i>How would I get from here to there?</i>

1746
01:31:03,904 --> 01:31:05,600
<i>And suddenly, you were there,</i>

1747
01:31:06,207 --> 01:31:08,039
and it was fine
although it was mysterious.

1748
01:31:13,948 --> 01:31:17,077
<i>One day I decided to dedicate the day.</i>

1749
01:31:17,251 --> 01:31:19,618
I dedicated a Saturday
and I think I read

1750
01:31:19,920 --> 01:31:21,855
from 7:00
until 4:30 in the afternoon.

1751
01:31:22,823 --> 01:31:25,520
<i>For me, Toni Morrison
He's a rock star.</i>

1752
01:31:25,960 --> 01:31:29,658
All authors are,
but I love the idea

1753
01:31:29,897 --> 01:31:31,559
to be able to talk to them
to the authors.

1754
01:31:31,699 --> 01:31:33,634
<i>I tried to get
Toni Morrison's number.</i>

1755
01:31:33,834 --> 01:31:34,733
<i>He had a private number.</i>

1756
01:31:34,902 --> 01:31:36,268
<i>I was desperate
for talking to her.</i>

1757
01:31:36,670 --> 01:31:39,640
So I called the fire department
of your city.

1758
01:31:39,807 --> 01:31:42,106
"I'm Oprah Winfrey."
and it's an emergency.

1759
01:31:42,543 --> 01:31:44,102
I need to communicate
with Mrs. Morrison.

1760
01:31:44,578 --> 01:31:46,843
Can you call her and tell her?

1761
01:31:47,014 --> 01:31:49,745
And they said:
«What? Is it real? This...?".

1762
01:31:50,084 --> 01:31:51,882
Anyway, I got the number.

1763
01:31:53,020 --> 01:31:56,684
He said: "Toni Morrison,
Oprah Winfrey speaks.

1764
01:31:57,792 --> 01:32:00,557
And I said, "How
Did you get my number?

1765
01:32:01,162 --> 01:32:04,963
He said: "I called the police
and to the firefighters.

1766
01:32:05,866 --> 01:32:07,858
My second question, which I didn't ask.

1767
01:32:08,102 --> 01:32:09,764
It was: "How did they have it?"

1768
01:32:10,204 --> 01:32:13,197
Mrs. Morrison,
I just finished reading <i>Beloved.</i>

1769
01:32:13,607 --> 01:32:16,702
I just finished reading <i>Beloved</i>
and I had to talk to you.

1770
01:32:17,011 --> 01:32:21,244
I said, "Do people tell you
that must start and stop,

1771
01:32:21,615 --> 01:32:23,277
start and stop when reading

1772
01:32:23,651 --> 01:32:25,119
because they have
to reread things

1773
01:32:25,286 --> 01:32:27,255
Why do they try to understand everything?

1774
01:32:27,621 --> 01:32:31,285
And he said: "That,
dear, it's called reading.

1775
01:32:32,927 --> 01:32:35,021
<i>And I told him that
I wanted to make a movie

1776
01:32:35,196 --> 01:32:37,791
<i>and he said he didn't think
that was possible,

1777
01:32:38,232 --> 01:32:40,030
<i>but you would like to think about it.</i>

1778
01:32:40,201 --> 01:32:41,328
BELOVED A NOVEL
TONI MORRISON

1779
01:32:42,036 --> 01:32:44,198
I turned around, I spoke
with my children and I told them:

1780
01:32:44,638 --> 01:32:47,301
«It was Oprah Winfrey.
He wants to do <i>Beloved.</i>

1781
01:32:48,275 --> 01:32:52,042
<i>And I said: «I don't know
If it should be a movie.</i>

1782
01:32:52,746 --> 01:32:55,739
<i>And my oldest son said: «Mom,
you will always have the book.</i>

1783
01:32:56,383 --> 01:33:01,344
They will not destroy the book,
"It will just be another version."

1784
01:33:02,990 --> 01:33:04,117
I stopped him.

1785
01:33:05,860 --> 01:33:08,125
I put my babies
where they would be safe.

1786
01:33:08,762 --> 01:33:10,287
It didn't work, did it?

1787
01:33:11,966 --> 01:33:13,696
They're not in Sweet Home.

1788
01:33:15,102 --> 01:33:16,934
The school teacher
He doesn't have them.

1789
01:33:17,138 --> 01:33:20,108
THE BELOVED OPRAH

1790
01:33:20,341 --> 01:33:23,038
<i>The character, Sethe,
It was very important to me.</i>

1791
01:33:23,744 --> 01:33:28,910
<i>My hope was that people
feel the story

1792
01:33:29,049 --> 01:33:33,646
and see the beauty
of our African American history,

1793
01:33:34,255 --> 01:33:35,655
including slavery.

1794
01:33:36,223 --> 01:33:39,250
But understand it despite everything

1795
01:33:39,693 --> 01:33:41,059
what you have experienced...

1796
01:33:42,763 --> 01:33:45,255
<i>...and despite the worst
What could you do in your life...</i>

1797
01:33:46,300 --> 01:33:48,394
<i>...cut his neck
to your own son...</i>

1798
01:33:49,370 --> 01:33:51,930
<i>...so that it does not grow
in slavery...</i>

1799
01:33:53,674 --> 01:33:55,802
...and despite all that,

1800
01:33:56,343 --> 01:33:58,938
that you can still grow
from that pain

1801
01:33:59,146 --> 01:34:00,910
and learn to love again.

1802
01:34:15,796 --> 01:34:18,129
<i>Despite international stature</i>

1803
01:34:18,332 --> 01:34:21,268
<i>by Toni Morrison,
have yet to receive

1804
01:34:21,435 --> 01:34:22,926
<i>national recognition</i>

1805
01:34:23,103 --> 01:34:27,803
<i>who deserve their five
major works of fiction.</i>

1806
01:34:28,709 --> 01:34:31,008
<i>Yet to receive key honors</i>

1807
01:34:31,178 --> 01:34:34,046
<i>from the National Book Award
or the Pulitzer Prize.</i>

1808
01:34:34,815 --> 01:34:36,408
<i>Forty-eight writers
and black critics

1809
01:34:36,784 --> 01:34:38,343
<i>they wrote a letter
supporting your work,</i>

1810
01:34:38,452 --> 01:34:40,045
<i>which was published</i>
<i>in the</i> New York Times.

1811
01:34:40,154 --> 01:34:41,713
BLACK WRITERS
THEY PRAISE TONI MORRISON

1812
01:34:41,855 --> 01:34:45,053
<i>We wanted to make it clear to you
To Toni our thanks</i>

1813
01:34:45,226 --> 01:34:46,216
<i>and we wanted to do it</i>

1814
01:34:46,393 --> 01:34:48,191
<i>especially in relation to</i> Beloved,

1815
01:34:48,362 --> 01:34:50,490
but also
a recognition of the meaning...

1816
01:34:50,831 --> 01:34:51,730
JUNE JORDAN
POET

1817
01:34:51,832 --> 01:34:53,300
...from the work of Toni Morrison.

1818
01:34:53,767 --> 01:34:57,226
Everyone recognized
Morrison's genius.

1819
01:34:57,905 --> 01:35:00,500
<i>It wasn't just because
was bright on paper,</i>

1820
01:35:01,075 --> 01:35:02,839
but because it was
very important for us.

1821
01:35:02,943 --> 01:35:04,809
48 BLACK WRITERS PROTEST
FLATTERING MORRISON

1822
01:35:04,912 --> 01:35:07,939
<i>And that they ignored her, for her
It was the straw that broke the camel's back.</i>

1823
01:35:09,516 --> 01:35:12,509
My grandmother used to tell me
sometimes I got closer

1824
01:35:12,886 --> 01:35:14,218
to make me
come to your senses.

1825
01:35:15,089 --> 01:35:16,489
As writers, what we did

1826
01:35:16,924 --> 01:35:18,222
was to make people see reason

1827
01:35:18,392 --> 01:35:22,352
to the literary circle
American, saying:

1828
01:35:22,863 --> 01:35:24,855
"Come on, come on now."

1829
01:35:25,933 --> 01:35:28,027
<i>Our goal was...</i>

1830
01:35:28,135 --> 01:35:29,398
HOUSTON A. BAKER JR.
LITERARY CRITIC

1831
01:35:29,503 --> 01:35:31,802
...was singing a song
of praise for Toni Morrison,

1832
01:35:31,972 --> 01:35:35,409
that has moved the entire group forward,
African American culture,

1833
01:35:35,809 --> 01:35:39,371
African American expressive culture
in quantum leaps.

1834
01:35:39,546 --> 01:35:43,415
<i>Our goal was to say:
«We love you, Toni,</i>

1835
01:35:43,784 --> 01:35:46,379
and you do an extraordinary job
for us."

1836
01:35:46,787 --> 01:35:47,777
DEFENDERS
BY TONI MORRISON

1837
01:35:47,888 --> 01:35:49,880
<i>It was a scandal!</i>

1838
01:35:50,291 --> 01:35:51,418
We were all incredulous...

1839
01:35:52,359 --> 01:35:54,419
...regarding not
they had given him that honor

1840
01:35:54,828 --> 01:35:57,923
since your community
in this country I understood

1841
01:35:58,098 --> 01:36:00,533
that there was something very racist

1842
01:36:00,901 --> 01:36:03,370
and misogynistic in the way

1843
01:36:03,537 --> 01:36:06,530
what they worked on
these literary awards.

1844
01:36:07,074 --> 01:36:10,067
It was an eruption.
What we saw then was a...

1845
01:36:11,545 --> 01:36:15,073
...kind of collision between
the canon, up to that point,

1846
01:36:15,249 --> 01:36:18,481
and the emerging canon,
which Toni was exemplifying.

1847
01:36:19,186 --> 01:36:20,484
<i>It didn't matter
Which side were you on?

1848
01:36:20,587 --> 01:36:23,352
<i>you could say: "Something
Come on here, Mr. Jones,</i>

1849
01:36:23,524 --> 01:36:25,823
And you don't know what it is, right?

1850
01:36:26,994 --> 01:36:28,428
<i>Jimmy Baldwin had just died.</i>

1851
01:36:29,196 --> 01:36:30,494
<i>And for all his genius,</i>

1852
01:36:30,898 --> 01:36:33,390
had never received
the attention it deserved

1853
01:36:33,567 --> 01:36:35,900
or the awards he deserved.

1854
01:36:36,904 --> 01:36:38,395
<i>And then we started talking</i>

1855
01:36:38,572 --> 01:36:40,268
<i>about what it means
get a prize.</i>

1856
01:36:41,108 --> 01:36:42,838
<i>So I said
with a lot of drama:</i>

1857
01:36:43,010 --> 01:36:44,979
«Jimmy, we teach you...

1858
01:36:46,447 --> 01:36:47,915
...and you would live forever

1859
01:36:48,315 --> 01:36:49,578
because we have taught you

1860
01:36:49,883 --> 01:36:52,182
for years and years
and everyone knows you.

1861
01:36:52,419 --> 01:36:54,445
And he looked at me like he was
completely crazy.

1862
01:36:54,621 --> 01:36:57,420
He said: "Sonia, I don't speak
of your teachings...

1863
01:36:57,958 --> 01:36:59,893
This is fine.
I'm talking about a prize.

1864
01:37:00,461 --> 01:37:02,191
"I deserve a prize."

1865
01:37:02,930 --> 01:37:04,922
Toni deserved an award.

1866
01:37:05,232 --> 01:37:09,397
I had had a conversation
with Gwendolyn Brooks

1867
01:37:10,170 --> 01:37:11,433
<i>at that time.</i>

1868
01:37:12,072 --> 01:37:14,041
<i>June Jordan,
one of the great thinkers

1869
01:37:14,241 --> 01:37:15,539
<i>and a very good friend of Toni,</i>

1870
01:37:16,143 --> 01:37:18,044
<i>it was with Gwendolyn
and told him that we had a letter

1871
01:37:18,212 --> 01:37:19,236
<i>and I had to sign it.</i>

1872
01:37:19,480 --> 01:37:22,075
Gwendolyn said:
"Why should I go?"

1873
01:37:22,216 --> 01:37:24,082
to beg people
give me a prize?

1874
01:37:24,918 --> 01:37:26,045
<i>I don't need your awards.</i>

1875
01:37:26,186 --> 01:37:27,279
'BELOVED' AND THE PROTEST

1876
01:37:27,388 --> 01:37:29,448
<i>I can't tell you how much
I agreed with that.</i>

1877
01:37:30,424 --> 01:37:32,052
Did you deserve the award?
National Book?

1878
01:37:32,326 --> 01:37:34,420
Definitely. They didn't give it to him. Good.

1879
01:37:34,561 --> 01:37:36,257
I'll complain if I don't have my money.

1880
01:37:36,530 --> 01:37:38,123
I will complain
if she doesn't get her money.

1881
01:37:38,499 --> 01:37:40,934
But I won't complain
that its aesthetic

1882
01:37:41,101 --> 01:37:42,592
don't understand black people.

1883
01:37:45,305 --> 01:37:46,637
What is your answer?
because now

1884
01:37:46,940 --> 01:37:49,136
is trapped
in the middle of all this.

1885
01:37:49,376 --> 01:37:51,277
It's easily the most important thing

1886
01:37:51,445 --> 01:37:54,176
what happened to me
in my life as a writer.

1887
01:37:54,915 --> 01:37:57,407
I write from culture
like everyone does,

1888
01:37:58,152 --> 01:38:00,144
for her, by her, and I am in her.

1889
01:38:00,687 --> 01:38:03,247
So a portion of that culture
he told me...

1890
01:38:04,925 --> 01:38:05,585
...«Amen».

1891
01:38:05,959 --> 01:38:07,086
BELOVED
A NOVEL

1892
01:38:07,261 --> 01:38:09,492
<i>In a delivery committee
prizes, souvenir

1893
01:38:09,696 --> 01:38:13,064
<i>that we began to discuss</i>
<i>about</i> Beloved,

1894
01:38:13,467 --> 01:38:15,527
<i>was arguing
with a writer,</i>

1895
01:38:15,702 --> 01:38:17,432
<i>there were two of them, both women,</i>

1896
01:38:17,604 --> 01:38:20,472
<i>one black and one white.
The black woman said:

1897
01:38:20,641 --> 01:38:23,236
"Are you trying to tell me
that African Americans

1898
01:38:23,510 --> 01:38:26,378
They have historical experience

1899
01:38:26,947 --> 01:38:31,043
and social different from that of any
another American immigrant?

1900
01:38:31,552 --> 01:38:32,986
I said, “Yes.

1901
01:38:33,520 --> 01:38:35,250
“I certainly try to do that.”

1902
01:38:36,056 --> 01:38:38,616
<i>It's an experience
very specific</i>

1903
01:38:39,293 --> 01:38:41,956
<i>and it's different
to that of the Irish,</i>

1904
01:38:42,129 --> 01:38:44,564
within which
my ancestors are there,

1905
01:38:44,698 --> 01:38:46,496
and that of the Italians and Jews.

1906
01:38:46,600 --> 01:38:49,126
<i>But that discussion
It still lasts today.</i>

1907
01:38:49,670 --> 01:38:52,071
<i>In the US we are immigrants,</i>

1908
01:38:52,406 --> 01:38:54,068
<i>or children of immigrants.</i>

1909
01:38:55,042 --> 01:38:56,510
<i>We are one people,</i>

1910
01:38:57,044 --> 01:39:00,981
<i>but a people formed from
of many nations and races...</i>

1911
01:39:02,249 --> 01:39:05,583
<i>...a people who came to the US.
during a great migration

1912
01:39:05,986 --> 01:39:08,285
<i>from Europe to other parts of the world.</i>

1913
01:39:10,524 --> 01:39:13,221
<i>In this migration,
million Europeans

1914
01:39:13,327 --> 01:39:14,659
<i>they left their native country</i>

1915
01:39:15,028 --> 01:39:17,657
<i>to settle in new countries
crossing the seas.</i>

1916
01:39:17,764 --> 01:39:20,097
No. 536 IRON NECKLACE FOR
LET THE SLAVES NOT ESCAPE.

1917
01:39:20,200 --> 01:39:23,136
<i>Almost two thirds of them
They came to the USA</i>

1918
01:39:36,216 --> 01:39:37,411
REX THEATER
FOR PEOPLE OF COLOR

1919
01:40:05,779 --> 01:40:07,077
<i>The blacks were constant.</i>

1920
01:40:07,447 --> 01:40:09,541
<i>Everyone could despise them.</i>

1921
01:40:10,150 --> 01:40:12,745
<i>Italian, Polish, immigrants</i>

1922
01:40:13,120 --> 01:40:16,522
<i>there was always a bottom
with whom you could be hostile.</i>

1923
01:40:17,157 --> 01:40:19,820
And that served to unite the country

1924
01:40:20,193 --> 01:40:23,527
and transform it into a hive
where I lived as a child,

1925
01:40:24,298 --> 01:40:27,462
without knowing what I know now,
which is how it came to be there.

1926
01:40:27,834 --> 01:40:30,827
What was the base, the basin, the pot?

1927
01:40:31,638 --> 01:40:32,628
The hive.

1928
01:40:33,140 --> 01:40:34,506
Black people were the pot.

1929
01:40:37,144 --> 01:40:40,512
and everything else
everything melted together

1930
01:40:40,681 --> 01:40:42,741
and what? United States.

1931
01:40:44,585 --> 01:40:46,520
This is how you get there
to be American.

1932
01:40:47,487 --> 01:40:49,115
If you get into that pot...

1933
01:40:49,690 --> 01:40:52,819
...of black people. Then
you can be nice to the jews,

1934
01:40:53,293 --> 01:40:56,127
Italians, Catholics or whatever.

1935
01:40:56,830 --> 01:40:58,321
That's my opinion.

1936
01:41:06,707 --> 01:41:09,199
<i>You, Toni Morrison,
winner of the Pulitzer Prize,

1937
01:41:09,443 --> 01:41:11,708
<i>successful, respected
in the academic halls,</i>

1938
01:41:12,145 --> 01:41:13,704
<i>do you still have that meeting?</i>

1939
01:41:14,414 --> 01:41:15,780
<i>Yes, but I'll tell you something.</i>

1940
01:41:16,149 --> 01:41:17,173
<i>It's the wrong question.</i>

1941
01:41:17,351 --> 01:41:18,580
<i>Yes, what is the right question?</i>

1942
01:41:18,852 --> 01:41:21,720
How do you feel?
Don't you understand

1943
01:41:22,289 --> 01:41:23,780
that the people who do this,

1944
01:41:24,157 --> 01:41:25,648
- who practices racism...
- Good.

1945
01:41:26,293 --> 01:41:27,317
...is it lacking?

1946
01:41:27,794 --> 01:41:31,231
It's something distorted about the mind.

1947
01:41:31,565 --> 01:41:33,727
It's a big waste,

1948
01:41:34,234 --> 01:41:36,635
and it is a corruption and a distortion.

1949
01:41:37,237 --> 01:41:39,536
It's as if it were
a deep neurosis

1950
01:41:39,873 --> 01:41:41,865
that no one examines for what it is.

1951
01:41:42,275 --> 01:41:44,403
It seems crazy. It's crazy.

1952
01:41:45,245 --> 01:41:47,646
<i>It has a harmful effect...</i>

1953
01:41:48,548 --> 01:41:51,575
<i>...in white people
as it does in black people.</i>

1954
01:41:52,619 --> 01:41:55,783
If the racist white person
does not understand

1955
01:41:56,256 --> 01:41:58,384
that he or she is also a race,

1956
01:41:58,792 --> 01:42:02,422
It is also built and made

1957
01:42:02,696 --> 01:42:04,858
and also has
a kind of utility,

1958
01:42:05,432 --> 01:42:08,664
but when you take it away,
I take away your race,

1959
01:42:09,403 --> 01:42:10,632
and there you are,
up to the crown of the head,

1960
01:42:10,871 --> 01:42:13,272
and the only thing you have
It is your little being.

1961
01:42:13,640 --> 01:42:17,338
What's that?
What are you without racism?

1962
01:42:17,944 --> 01:42:20,573
Are you of any use?
Are you still strong?

1963
01:42:21,181 --> 01:42:22,342
<i>Are you still smart?</i>

1964
01:42:26,520 --> 01:42:28,386
<i>If you can be tall</i>

1965
01:42:28,855 --> 01:42:30,721
<i>because someone is kneeling,</i>

1966
01:42:30,891 --> 01:42:32,621
then you have a serious problem.

1967
01:42:32,893 --> 01:42:34,885
And I feel that white people...

1968
01:42:35,862 --> 01:42:39,731
...has a serious problem

1969
01:42:40,367 --> 01:42:44,702
and you should start thinking
on what they can do about it.

1970
01:42:45,439 --> 01:42:46,566
Get me out of there.

1971
01:43:05,358 --> 01:43:06,917
<i>When Toni won the Nobel Prize,</i>

1972
01:43:07,260 --> 01:43:08,694
<i>I was in my apartment
from New York.</i>

1973
01:43:08,795 --> 01:43:11,230
I remember it very vividly,
I was in the shower

1974
01:43:11,598 --> 01:43:13,260
but I had the radio
lit in the kitchen,

1975
01:43:13,433 --> 01:43:14,662
I was listening to the news.

1976
01:43:14,935 --> 01:43:17,336
In the shower, I heard and thought

1977
01:43:17,738 --> 01:43:19,707
that Toni had won
the Nobel Prize for literature.

1978
01:43:20,474 --> 01:43:22,375
a news station
tells you the same news

1979
01:43:22,576 --> 01:43:24,272
every 22 minutes,
I was so surprised,

1980
01:43:24,444 --> 01:43:26,777
I thought I was hearing wrong.
I got out of the shower

1981
01:43:27,314 --> 01:43:28,976
and I stood still,
soaked, for 22 minutes

1982
01:43:29,349 --> 01:43:30,578
until they repeated the news.

1983
01:43:31,651 --> 01:43:32,744
And I couldn't believe it.

1984
01:43:32,919 --> 01:43:35,411
I woke up close
from 3:00 in the morning,

1985
01:43:35,622 --> 01:43:37,682
I turned on the silly box
and announced

1986
01:43:37,858 --> 01:43:40,692
that Toni Morrison had received
the Nobel Prize for literature.

1987
01:43:40,961 --> 01:43:43,931
So I called her on the phone,
and the son answered me.

1988
01:43:44,631 --> 01:43:45,963
«Is Toni there?
Is your mom there?

1989
01:43:46,366 --> 01:43:47,994
I said, "He won the Nobel Prize."

1990
01:43:48,368 --> 01:43:50,735
He said to me: “Really?
"He's in Princeton."

1991
01:43:50,904 --> 01:43:52,998
So I called again
and Toni answered.

1992
01:43:53,373 --> 01:43:55,433
I found out the news from a friend

1993
01:43:55,609 --> 01:43:57,009
who called me early in the morning

1994
01:43:57,444 --> 01:43:59,037
and he told me: «Toni,
"You won the Nobel Prize."

1995
01:43:59,646 --> 01:44:01,547
And I remember that I had
the phone and I thought:

1996
01:44:02,315 --> 01:44:04,546
“She must be drunk,” and I hung up.

1997
01:44:04,751 --> 01:44:06,720
He called me again,
and I said, "How do you know?"

1998
01:44:06,887 --> 01:44:08,446
Why would I know anything?
that I didn't know?

1999
01:44:08,822 --> 01:44:09,790
And I went to work.

2000
01:44:11,458 --> 01:44:12,790
<i>Then suddenly, there were many</i>

2001
01:44:13,360 --> 01:44:15,591
<i>cameras, things and people...</i>

2002
01:44:16,730 --> 01:44:18,858
<i>...and I smiled just in case.</i>

2003
01:44:19,966 --> 01:44:21,025
<i>I wasn't sure why</i>

2004
01:44:21,568 --> 01:44:23,833
the prize people
He hadn't told me anything.

2005
01:44:24,037 --> 01:44:26,370
At 12:00 I was in my office,

2006
01:44:26,673 --> 01:44:29,336
I received a call from Sweden,

2007
01:44:29,509 --> 01:44:31,569
and they told me I had won
the Nobel Prize,

2008
01:44:31,812 --> 01:44:34,941
They congratulated me and all that.
A lovely conversation,

2009
01:44:35,515 --> 01:44:37,814
and I told them:
"Could you fax it to me?"

2010
01:44:40,654 --> 01:44:42,816
It could have been a joke.
You already know.

2011
01:44:43,323 --> 01:44:44,951
They said, "Of course."
and they did it.

2012
01:44:47,060 --> 01:44:48,653
DEAR COLLEAGUE:
TODAY THE SWEDISH ACADEMY

2013
01:44:48,795 --> 01:44:50,457
HE DECIDED TO GIVE HIM THE PRIZE
NOBEL OF LITERATURE

2014
01:44:50,564 --> 01:44:51,998
<i>What will you do with the money?</i>

2015
01:44:52,365 --> 01:44:54,664
That is, for me,
It's a new experience

2016
01:44:54,868 --> 01:44:56,564
that of deciding
what to do with the money,

2017
01:44:57,037 --> 01:44:59,006
so I'm not good at it.
I don't have practice.

2018
01:44:59,706 --> 01:45:03,108
So, I'll think about it carefully.

2019
01:45:03,476 --> 01:45:04,808
and I'll try to think of something

2020
01:45:05,745 --> 01:45:08,579
wonderful to do
let it not be the obvious,

2021
01:45:08,748 --> 01:45:10,683
that is, pay the mortgage or something.

2022
01:45:11,351 --> 01:45:13,445
What do you think it is,
If you can tell us,

2023
01:45:13,553 --> 01:45:15,351
what the difference
of so many others?

2024
01:45:15,822 --> 01:45:18,348
What does it say that others want to hear?

2025
01:45:19,526 --> 01:45:20,960
I think I write well...

2026
01:45:21,862 --> 01:45:24,991
...and I think I have
a distinctive voice.

2027
01:45:25,732 --> 01:45:28,861
That's what makes writing
a very difficult, risky project

2028
01:45:29,436 --> 01:45:30,768
and very powerful.

2029
01:45:35,141 --> 01:45:36,939
<i>I called a florist in Princeton</i>

2030
01:45:37,510 --> 01:45:38,876
<i>so that I could send her flowers.</i>

2031
01:45:39,045 --> 01:45:41,537
And the woman, the florist, told me:

2032
01:45:41,882 --> 01:45:42,906
«What's going on there?

2033
01:45:43,083 --> 01:45:45,382
We have been sending flowers
there all day.

2034
01:45:45,919 --> 01:45:49,549
I told him, proud:
"He won the Nobel Prize."

2035
01:45:49,890 --> 01:45:52,553
And the florist, this
It only happens in Princeton,

2036
01:45:52,726 --> 01:45:54,661
maybe in Cambridge,
He said, "In what?"

2037
01:45:56,529 --> 01:45:59,124
And I said: "Literature",
and he said: "Ah."

2038
01:46:01,935 --> 01:46:05,804
I am delighted
to represent Ohio,

2039
01:46:06,072 --> 01:46:09,509
and to represent the state
from New York because I live there,

2040
01:46:09,743 --> 01:46:12,440
and to New Jersey
because I live and work here.

2041
01:46:12,812 --> 01:46:14,747
And to represent the USA.

2042
01:46:15,448 --> 01:46:18,043
As American winner
of a fiction prize,

2043
01:46:18,518 --> 01:46:20,919
born native and also in particular

2044
01:46:21,554 --> 01:46:23,022
because I'm African American.

2045
01:46:23,657 --> 01:46:26,650
And I am a woman,
so I'm handing out

2046
01:46:26,760 --> 01:46:28,820
this all over the place.

2047
01:46:35,435 --> 01:46:37,529
I like the Nobel Prize...

2048
01:46:38,505 --> 01:46:40,838
...because they know how to throw a party,

2049
01:46:41,174 --> 01:46:42,767
I tell you.

2050
01:46:43,877 --> 01:46:45,175
<i>It was huge.</i>

2051
01:46:46,112 --> 01:46:50,140
<i>They wake you up with crowns,
flowers, music.</i>

2052
01:46:50,750 --> 01:46:51,683
<i>But it was light,</i>

2053
01:46:52,018 --> 01:46:54,453
It wasn't like the Nobel Prize.

2054
01:46:54,688 --> 01:46:58,591
It was light, lovely and warm.

2055
01:47:00,026 --> 01:47:01,494
<i>Toni loves this kind of thing.</i>

2056
01:47:02,062 --> 01:47:03,963
I mean, it's not like there are many things

2057
01:47:04,164 --> 01:47:06,690
like the Nobel Prize,
but Toni loves things like this.

2058
01:47:06,900 --> 01:47:09,631
Toni loves prizes, gifts.

2059
01:47:10,003 --> 01:47:11,904
I have a birthday.
"No, no gifts."

2060
01:47:12,072 --> 01:47:13,802
If it's Toni's birthday,
bring him a gift.

2061
01:47:18,912 --> 01:47:20,710
<i>He decided he would bring a lot of friends</i>

2062
01:47:20,947 --> 01:47:24,577
<i>and he invited me. It was very fun.</i>

2063
01:47:25,251 --> 01:47:26,913
I recommend you

2064
01:47:27,220 --> 01:47:29,587
that they have a friend
may he win the Nobel Prize.

2065
01:47:30,557 --> 01:47:31,923
<i>I invited John Leonard</i>

2066
01:47:32,592 --> 01:47:33,992
<i>because he had been the first person</i>

2067
01:47:34,194 --> 01:47:35,992
<i>who took my job seriously.</i>

2068
01:47:36,863 --> 01:47:39,128
I invited him to go to Stockholm.

2069
01:47:39,499 --> 01:47:41,593
He said, "I don't know if I can do it."

2070
01:47:43,770 --> 01:47:45,602
And I told him: «They will never invite you again

2071
01:47:45,805 --> 01:47:47,171
to this."

2072
01:47:47,674 --> 01:47:49,575
And he said, "You're right," and he went.

2073
01:47:50,043 --> 01:47:51,136
<i>We had a lot of fun.</i>

2074
01:47:53,747 --> 01:47:54,942
Before the dance, we spent...

2075
01:47:55,081 --> 01:47:57,573
A group of girls, I would say,

2076
01:47:57,751 --> 01:47:59,185
we were there for a couple of hours
in a room

2077
01:47:59,552 --> 01:48:01,885
<i>choosing gloves
for her and shoes.</i>

2078
01:48:02,055 --> 01:48:04,718
Toni loves clothes,
that's the other thing.

2079
01:48:14,234 --> 01:48:16,897
<i>When Toni won the Nobel Prize,</i>

2080
01:48:17,103 --> 01:48:19,265
<i>it was not only
an important moment

2081
01:48:19,639 --> 01:48:21,267
<i>for African American literature,</i>

2082
01:48:21,741 --> 01:48:23,903
I think it was a moment
important for the prize.

2083
01:48:24,577 --> 01:48:28,070
<i>How many women have won?
Two, three women?</i>

2084
01:48:28,815 --> 01:48:30,909
<i>It was a moment
for American literature.</i>

2085
01:48:31,051 --> 01:48:32,952
It was a moment for
contemporary literature.

2086
01:48:33,119 --> 01:48:37,648
I mean, it was a moment
for so many corners of the world

2087
01:48:37,857 --> 01:48:39,849
that not always
They accepted it completely.

2088
01:48:40,026 --> 01:48:43,019
Don't forget that when I started
to write in the early 60s

2089
01:48:43,329 --> 01:48:44,854
and Toni also started writing,

2090
01:48:45,198 --> 01:48:46,689
<i>Faulkner was still alive.</i>

2091
01:48:47,801 --> 01:48:49,269
<i>Hemingway was still alive.</i>

2092
01:48:50,203 --> 01:48:52,695
<i>Fitzgerald had just died.</i>

2093
01:48:53,039 --> 01:48:54,200
<i>It was a club,</i>

2094
01:48:54,574 --> 01:48:58,033
a small clubhouse
with few members.

2095
01:48:58,211 --> 01:49:00,203
You think of a pyramid
with a very small base

2096
01:49:00,580 --> 01:49:02,913
and vertical...
with almost vertical sides

2097
01:49:03,016 --> 01:49:04,780
that come to a point
delicate at the top

2098
01:49:05,185 --> 01:49:07,848
where three or four white men
they could be together

2099
01:49:08,788 --> 01:49:09,721
and fight it.

2100
01:49:09,956 --> 01:49:13,290
Then suddenly the canon
It was not private property

2101
01:49:13,693 --> 01:49:17,824
from white male writers
of a certain type or class.

2102
01:49:18,098 --> 01:49:21,068
It would have to be
everyone's property.

2103
01:49:22,869 --> 01:49:24,701
<i>They called me from the</i> Washington Post
<i>and they asked me</i>

2104
01:49:24,871 --> 01:49:27,306
<i>a comment, and I made
a glorious comment.</i>

2105
01:49:28,274 --> 01:49:29,799
<i>But when
the newspaper article...</i>

2106
01:49:29,909 --> 01:49:31,172
AUTHOR TONI MORRISON
WIN NOBEL PRIZE

2107
01:49:31,277 --> 01:49:32,973
...it came out, there was no comment

2108
01:49:33,146 --> 01:49:34,910
about what he had said,
the praise he had.

2109
01:49:35,115 --> 01:49:37,141
They were comments
of three male writers

2110
01:49:37,350 --> 01:49:40,286
who said: "Write
all that about women.

2111
01:49:40,753 --> 01:49:42,984
He does all that stuff about slavery.”

2112
01:49:43,189 --> 01:49:45,385
They even said I didn't deserve
the Nobel Prize.

2113
01:49:45,925 --> 01:49:47,951
<i>I was very surprised.</i>

2114
01:49:48,094 --> 01:49:49,687
FRIDAY, OCTOBER 8, 1993

2115
01:49:50,063 --> 01:49:51,861
AUTHOR TONI MORRISON
WIN NOBEL PRIZE

2116
01:49:52,031 --> 01:49:53,329
Beloved <i>was a fraud.</i>

2117
01:49:55,335 --> 01:49:57,930
<i>Gave a false version
of the slave trade.</i>

2118
01:49:59,873 --> 01:50:01,239
<i>All the boys
They are angry.</i>

2119
01:50:02,709 --> 01:50:04,075
<i>And women like it.</i>

2120
01:50:07,180 --> 01:50:08,705
<i>It is represented
whites as bad.</i>

2121
01:50:10,016 --> 01:50:10,949
<i>To the men.</i>

2122
01:50:12,018 --> 01:50:13,111
<i>To black men.</i>

2123
01:50:14,854 --> 01:50:18,313
<i>I hope this award inspires you
to write better books.</i>

2124
01:50:19,659 --> 01:50:22,891
<i>The award was a triumph
of political precision.</i>

2125
01:50:26,399 --> 01:50:30,166
<i>Unfortunately, when women
or black men

2126
01:50:30,703 --> 01:50:33,298
<i>they receive the praise
which they certainly deserve,

2127
01:50:33,673 --> 01:50:35,005
<i>he questions it.</i>

2128
01:50:35,308 --> 01:50:36,708
Was it a political decision?

2129
01:50:36,876 --> 01:50:39,937
Did they just choose her to do
what is politically correct?

2130
01:50:40,246 --> 01:50:42,306
and I always think
that those people didn't read it.

2131
01:50:42,949 --> 01:50:44,815
He didn't read it because
If they had read it,

2132
01:50:44,984 --> 01:50:47,317
would not question
what if they were to deliver

2133
01:50:47,687 --> 01:50:49,849
a Nobel Prize,
She should receive it.

2134
01:50:50,023 --> 01:50:53,187
It was the absolute justification,
legitimation,

2135
01:50:53,359 --> 01:50:55,157
the sense that this writer,

2136
01:50:55,695 --> 01:50:57,391
that had been ignored
for a long time,

2137
01:50:57,764 --> 01:50:59,426
that had been underestimated
for some,

2138
01:50:59,866 --> 01:51:01,232
that on the world stage...

2139
01:51:01,968 --> 01:51:04,733
...on the world stage,
she was a star.

2140
01:51:24,824 --> 01:51:26,952
<i>When I was writing</i>
Song of Solomon...

2141
01:51:28,294 --> 01:51:30,320
...there was a character there
called Pilate.

2142
01:51:32,465 --> 01:51:33,433
<i>She threatened me...</i>

2143
01:51:34,934 --> 01:51:35,799
<i>...a lot.</i>

2144
01:51:39,272 --> 01:51:41,298
It threatened the book.
She will take over.

2145
01:51:43,076 --> 01:51:43,975
I'm serious.

2146
01:51:44,877 --> 01:51:45,901
I told him to shut up.

2147
01:51:46,446 --> 01:51:47,937
This is my book, not yours.

2148
01:51:50,083 --> 01:51:52,450
<i>Actually, she only talks
at the funeral...</i>

2149
01:51:53,086 --> 01:51:53,985
<i>...from his daughter.</i>

2150
01:51:54,954 --> 01:51:56,786
And he breaks into that church...

2151
01:51:57,757 --> 01:52:03,219
...and says over and over again:
"And she was loved."

2152
01:52:05,231 --> 01:52:08,258
A totally woman
generous and free. Without fears.

2153
01:52:08,868 --> 01:52:11,064
<i>He is not afraid of anything.
And complete...</i>

2154
01:52:11,804 --> 01:52:13,329
<i>...clarity about who it is.</i>

2155
01:52:13,806 --> 01:52:15,001
Do you know people like that?

2156
01:52:15,108 --> 01:52:16,838
Yes, in my family.

2157
01:52:17,944 --> 01:52:19,936
Women who presented themselves to me like this.

2158
01:52:20,280 --> 01:52:21,976
They were absolutely clear.

2159
01:52:22,982 --> 01:52:25,417
And they had a kind
of intimate relationship with God,

2160
01:52:25,818 --> 01:52:27,343
death and all kinds of things

2161
01:52:27,887 --> 01:52:30,447
that instill fear
in the modern heart.

2162
01:52:31,090 --> 01:52:32,820
They had a language for it...

2163
01:52:33,226 --> 01:52:34,250
...and they had a...

2164
01:52:35,161 --> 01:52:37,187
I don't know, a blessing.

2165
01:52:38,464 --> 01:52:40,194
<i>But they didn't seem to have...</i>

2166
01:52:41,267 --> 01:52:42,166
<i>...fear.</i>

2167
01:52:44,137 --> 01:52:45,469
Stop with those women

2168
01:52:45,571 --> 01:52:48,405
I feel an enormous responsibility.

2169
01:52:49,208 --> 01:52:52,110
<i>I would think of my great-grandmother, and...</i>

2170
01:52:52,378 --> 01:52:55,075
<i>...his daughter, and his daughter...</i>

2171
01:52:55,448 --> 01:52:59,408
<i>...and all those women who...
Incredible things happened to them.</i>

2172
01:52:59,585 --> 01:53:01,486
<i>They never knew
from one day to the next...</i>

2173
01:53:03,222 --> 01:53:04,349
...nothing.

2174
01:53:04,991 --> 01:53:08,086
But they believed in their dignity...

2175
01:53:09,362 --> 01:53:11,354
...who were people of value...

2176
01:53:12,131 --> 01:53:14,066
<i>...that they had to go through it
to future generations.</i>

2177
01:53:15,068 --> 01:53:16,092
<i>And they did it.</i>

2178
01:53:22,208 --> 01:53:25,542
One of the characters says
at the end of <i>Song of Solomon...</i>

2179
01:53:27,113 --> 01:53:31,016
...«And she was loved».

2180
01:53:32,385 --> 01:53:37,050
"And she was loved."

2181
01:53:38,424 --> 01:53:41,189
This is the anthem of any life.

2182
01:53:41,361 --> 01:53:44,923
You can come to the planet
and do what you do,

2183
01:53:45,098 --> 01:53:46,464
achieve what you achieve,

2184
01:53:46,866 --> 01:53:49,461
awards, no awards,
titles, no titles,

2185
01:53:50,103 --> 01:53:51,594
<i>successes, no successes.</i>

2186
01:53:53,573 --> 01:53:56,202
<i>I think you got the gist
of what it means

2187
01:53:56,509 --> 01:53:59,343
<i>being human, being alive and...</i>

2188
01:54:00,213 --> 01:54:01,977
<i>...that it went well for you
here on Earth.</i>

2189
01:54:04,283 --> 01:54:06,047
And we can say the same about her.

2190
01:54:07,186 --> 01:54:10,418
And she is loved.

2191
01:54:16,329 --> 01:54:20,130
One of the things you know
about sister Toni,

2192
01:54:20,333 --> 01:54:22,666
when I saw her for the first time...

2193
01:54:23,035 --> 01:54:25,504
I saw...

2194
01:54:26,005 --> 01:54:27,667
...a white light
around her...

2195
01:54:28,374 --> 01:54:29,967
...you know...

2196
01:54:39,085 --> 01:54:42,112
and there are people

2197
01:54:42,288 --> 01:54:44,086
who are the lucky ones...

2198
01:54:44,590 --> 01:54:45,956
...that puts them here...

2199
01:54:47,326 --> 01:54:50,922
...to make us analyze ourselves

2200
01:54:51,330 --> 01:54:55,563
to be able to walk upright
finally as human beings,

2201
01:54:55,968 --> 01:54:58,096
finally as human beings.

2202
01:55:05,545 --> 01:55:06,535
<i>On earth...</i>

2203
01:55:08,014 --> 01:55:11,178
<i>...holding everything together,
but willing to risk...</i>

2204
01:55:12,318 --> 01:55:15,379
<i>...and go far into the sea.</i>

2205
01:55:19,325 --> 01:55:20,224
<i>Courage.</i>

2206
01:55:21,160 --> 01:55:22,287
<i>Domesticity.</i>

2207
01:55:24,063 --> 01:55:26,032
<i>This is what it means
black people for me...</i>

2208
01:55:26,699 --> 01:55:29,032
<i>...and it still means to others.</i>

2209
01:55:30,470 --> 01:55:33,668
But for me, the story
from the place of black people...

2210
01:55:35,074 --> 01:55:36,303
...in this country...

2211
01:55:36,976 --> 01:55:39,275
...is very varied,

2212
01:55:39,645 --> 01:55:42,274
complex and beautiful.

2213
01:55:43,416 --> 01:55:45,146
And shocking.

2214
01:55:46,152 --> 01:55:47,484
It had a great impact.

2215
01:55:48,454 --> 01:55:51,515
no one could have loved
as much as we...

2216
01:55:52,592 --> 01:55:55,255
...have moved on with your life
as much as we...

2217
01:55:56,462 --> 01:55:57,691
...have continued...

2218
01:55:59,365 --> 01:56:02,460
...and have considered
the efforts...

2219
01:56:03,302 --> 01:56:05,567
...to make sure
that we never did it.

2220
01:56:06,405 --> 01:56:07,429
Have considered that.

2221
01:56:08,441 --> 01:56:09,409
It's wonderful.

2222
01:56:14,280 --> 01:56:15,646
<i>Once, I was in a place...</i>

2223
01:56:17,116 --> 01:56:18,049
...in Vienna.

2224
01:56:19,285 --> 01:56:21,220
They had an art festival.

2225
01:56:22,488 --> 01:56:25,390
And they asked me to go
to a room and I put myself...

2226
01:56:25,791 --> 01:56:27,589
...in front of a mirror...

2227
01:56:28,561 --> 01:56:30,291
...in a room that
It was totally dark.

2228
01:56:31,063 --> 01:56:33,089
And they told me to raise my hand...

2229
01:56:33,699 --> 01:56:35,167
...and support it in the mirror...

2230
01:56:36,102 --> 01:56:38,571
...and for me to stop there.
Then I saw...

2231
01:56:40,273 --> 01:56:41,741
...in the distance a figure...

2232
01:56:42,808 --> 01:56:46,643
...which was getting closer and closer.

2233
01:56:47,246 --> 01:56:48,373
And he raised his hand.

2234
01:56:49,282 --> 01:56:50,443
And our hands touched.

2235
01:56:51,484 --> 01:56:53,077
Neither of the two
said a word...

2236
01:56:53,686 --> 01:56:57,748
...just interest, curiosity
and human connection.

2237
01:56:58,357 --> 01:57:01,521
That experience says a lot more

2238
01:57:01,761 --> 01:57:04,663
about what i believe
What do I do when I write?

2239
01:57:06,098 --> 01:57:08,158
I know I'm not you.

2240
01:57:08,534 --> 01:57:10,833
I know I don't know you,

2241
01:57:11,337 --> 01:57:12,305
but I know this.

2242
02:00:23,362 --> 02:00:25,331
Subtitles: María Ratto




